The Last of the Foresters: Or, Humors on the Border; A story of the Old Virginia FrontierCooke, John Esten
General
The Last of the Foresters: Or, Humors on the Border; A story of the Old Virginia Frontier
Cooke, John Esten
Frontier and pioneer life -- Fiction; Virginia -- Fiction
There was an old press, covered with dust and cobwebs, on the top of
which huge volumes of Justinian's Institutes frowned at the ceiling; a
row of shelves which were crammed with law books; an old faded carpet
covered with ink-splotches on his right hand, splotches evidently
produced by the lawyer's habit of shaking the superfluous ink from his
pen before he placed it upon the paper; a dilapidated chair or two;
the rough walnut desk at which he sat, covered with papers, open law
volumes, and red tape; and finally, a tall mantel-piece, on which
stood a half-emptied ink bottle--which mantel-piece rose over a wide
fire-place, surrounded with a low iron fender, on which a dislocated
pair of tongs were exposed in grim resignation to the evils of old
age.
There was little to interest Verty in all this--or in the old
iron-bound trunks in the corners.
But his eye suddenly falls on a curtain, in the recess farthest from
the door--the edge of a curtain; for the object which this curtain
conceals, is not visible from the chair in which he sits.
Verty rises, and goes into the recess, and looks.
The curtain falls over a picture--Verty raises it, and stands in
admiration before the portrait, which it covered.
"What a lovely child!" he exclaims. "I have never seen a prettier
little girl in all my life! What beautiful hair she has!"
And Verty, with the curtain in his left hand, blows away the dust from
the canvas.
The portrait is indeed exquisite. The picture represents a child of
two or three years of age, of rare and surpassing beauty. Over its
white brow hang long yellow ringlets--the eyes dance and play--the
ripe, ruddy lips, resembling cherries, are wreathed with the careless
laughter of infancy. The child wears a little blue frock which permits
two round, fat arms to be seen; and one of the hands grasps a doll,
drawn to the life. There is so much freshness and reality about the
picture, that Verty exclaims a second time, "What a lovely little
girl!"
Thus absorbed in the picture, he does not hear a growling voice in the
adjoining room--is not conscious of the heavy step advancing toward
the room he occupies--does not even hear the door open as the new
comer enters.
"Who can she be!" murmurs the young man; "not Mr. Rushton's little
daughter--I never heard that he was married, or had any children.
Pretty little thing!"
And Verty smiled.
Suddenly a heavy hand was laid upon his shoulder, and a gruff, stern
voice said:
"What are you doing, sir?"
Verty turned quickly; Mr. Rushton stood before him--gloomy,
forbidding, with a heavy frown upon his brow.
"What are you prying into?" repeated the lawyer, angrily; "are you not
aware, sir, that this is my private apartment? What has induced you to
presume in such a manner?"
Verty was almost terrified by the sternness of these cold words, and
looked down. Then conscious of the innocence of his action, raised his
eyes, and said:
Public-domain text, read in full here on John Shaqi.
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