The Last of the Foresters: Or, Humors on the Border; A story of the Old Virginia FrontierCooke, John Esten
General
The Last of the Foresters: Or, Humors on the Border; A story of the Old Virginia Frontier
Cooke, John Esten
Frontier and pioneer life -- Fiction; Virginia -- Fiction
"Ough! ough! ough!" groaned the old woman, looking at him wistfully,
and plainly struggling with herself--hesitating between two courses.
"Speak!" said Verty, with a glow in his eye, which made him resemble
a young leopard of the wild--"speak, _ma mere_!--I am no longer a
child! I go into a new land now, and how shall it be? As a red face,
or a long knife--which am I? Speak, _ma mere_--say if I am a Delaware,
whose place is the woods, or a white, whose life must take him from
the deer forever!"
The struggle was ended; Verty could not have uttered words more fatal
to his discovering anything. He raised an insuperable barrier to
any revelations--if, indeed, there existed any mystery--by his
alternative. Was he a Delaware, and thus doomed to live in the forest
with his old Indian mother--or was he a white, in which case, he would
leave her? Pride, cunning, above all, deep and pure affection, sealed
the old woman's lips, if she had thought of opening them. She looked
for sometime at Verty, then, taking his head between her hands, she
said, with eyes full of tears:
"You are my own dear son--my young, beautiful hawk of the woods--who
said you were not a true Delaware!"
And the old woman bent down, and with a look of profound affection,
pressed her lips to Verty's forehead.
The young man's face assumed an expression of mingled gloom and doubt,
and he sighed. Then he was an Indian--a Delaware--the son of the
Indian woman--he was not a paleface. All the talk about it was thrown
away; he was born in the woods--would live and die in the woods!
For a moment the image of Redbud rose before him, and he sighed. He
knew not why, but he wished that he was not an Indian--he wished that
his blood had been that of the whites.
His sad face drooped; then his eyes ware raised, and he saw the old
woman weeping.
The sight removed from Verty's mind all personal considerations, and
he leaned his head upon her knee, and pressed her hand to his lips.
"Did the child make his mother weep," he said; "did his idle words
bring rain to her eyes, and make her heart heavy? But he is her child
still, and all the world is nothing to him."
Verty rose, and taking the old, withered hand, placed it respectfully
on his breast.
"Never again, _ma mere_" he said, "will the wind talk to me, or the
birds whisper. I will not listen. Have I made your eyes dark? Let it
pass away--I am your son--I love you--more than all the whole wide
world."
And Verty sat down, and gazed tenderly at the old woman, whose face
had assumed an expression of extraordinary delight.
"Listen," said Verty, taking down his old violin, with a smile,
"I will play one of the old tunes, which blow like a wind from my
childhood--happy childhood."
And the young man gazed for a moment, silent and motionless, into the
fire. Then he raised his old, battered instrument, and began to play
one of the wild madrigals of the border.
Public-domain text, read in full here on John Shaqi.
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