But I can at least describe the woman to the smallest point. She is very beautiful and quite young--not more than five-and-twenty, I should judge. Her hair is of a very rich brown, with a warm chestnut shade fining into gold at the edges. A little flat-pointed cap comes to an angle in front and is made of lace edged with pearls. The forehead is high, too high perhaps for perfect beauty; but one would not have it otherwise, as it gives a touch of power and strength to what would otherwise be a softly feminine face. The brows are most delicately curved over heavy eyelids, and then come those wonderful eyes--so large, so dark, so full of overmastering emotion, of rage and horror, contending with a pride of self-control which holds her from sheer frenzy! The cheeks are pale, the lips white with agony, the chin and throat most exquisitely rounded. The figure sits and leans forward in the chair, straining and rigid, cataleptic with horror. The dress is black velvet, a jewel gleams like a flame in the breast, and a golden crucifix smoulders in the shadow of a fold. This is the lady whose image still lives in the old silver mirror. What dire deed could it be which has left its impress there, so that now, in another age, if the spirit of a man be but worn down to it, he may be conscious of its presence? One other detail: On the left side of the skirt of the black dress was, as I thought at first, a shapeless bunch of white ribbon. Then, as I looked more intently or as the vision defined itself more clearly, I perceived what it was. It was the hand of a man, clenched and knotted in agony, which held on with a convulsive grasp to the fold of the dress. The rest of the crouching figure was a mere vague outline, but that strenuous hand shone clear on the dark background, with a sinister suggestion of tragedy in its frantic clutch. The man is frightened--horribly frightened. That I can clearly discern. What has terrified him so? Why does he grip the woman's dress? The answer lies amongst those moving figures in the background. They have brought danger both to him and to her. The interest of the thing fascinated me. I thought no more of its relation to my own nerves. I stared and stared as if in a theatre. But I could get no further. The mist thinned. There were tumultuous movements in which all the figures were vaguely concerned. Then the mirror was clear once more.