The Last of the Mortimers: A Story in Two VoicesOliphant, Mrs. (Margaret)
General
The Last of the Mortimers: A Story in Two Voices
Oliphant, Mrs. (Margaret)
Fiction
We were just rising from table when she made this defence of herself. It
was not quite true. I know she tormented that poor boy Wilde as if he
had been a mouse, the cruel creature; and I am perfectly convinced that
she was much disappointed Mr. Luigi did not come to the Park, because
she had precisely the same intentions with regard to him. I must allow,
though I was very fond of Sara, that, professing to be mighty scornful
and sceptical as to hearts breaking, she loved to try when she had it in
her power. I daresay she was not conscious of her wicked arts, she used
them by instinct; but it came to much the same thing in the end.
I went out of the room with her, under pretence of seeing that her boxes
were nicely packed; I did not say anything about it, whether I thought
her a flirt or not, and she quieted down immediately, with a perception
that I had something to say. I drew her into the great window of the
hall, when Sarah, and immediately after her Mr. Cresswell,--for, of
course, to him our early dinner only served as lunch, and no man would
dream of sitting over his wine at three o’clock in the afternoon,
especially in a lady’s house,--had passed into the drawing-room. It was
a great round bay-window, at one end of the hall, where our footmen used
to lounge in my father’s time, when we kept footmen. It had our
escutcheon in it, in painted glass, and the lower panes were obscured, I
cannot tell why, unless because it made them look ugly. The hall was
covered with matting, and the fire had been lighted that day, but must
have gone out, it felt so cold.
“Sara, I wish to say to you--not that I don’t trust your discretion, my
dear child;” said I, “but you might not think I cared--don’t say
anything about your godmamma, or about this Mr. Luiggi, dear----”
I was quite prepared to see her resent this caution, but I was not
prepared for the burst of saucy laughter with which the foolish little
girl replied to me.
“Oh dear, godmamma, don’t be so comical! it isn’t Luiggi, it’s Luidgi,
that’s how it sounds,” cried Sara. “To think of any one murdering the
beautiful Italian so! Don’t you really think it’s a beautiful name?”
“I freely confess I never could see any beauty in Italian, nor any other
outlandish tongue,” said I. “Luidgi, be it, if that’s better. I can’t
see how it makes one morsel of difference; but you will remember what I
say?”
“Luigi simply means Lewis; and how should you be pleased to hear Lewis
mispronounced? You said it was your father’s name, godmamma,” said the
incorrigible child.
Public-domain text, read in full here on John Shaqi.
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