The Last of the Mortimers: A Story in Two VoicesOliphant, Mrs. (Margaret)
General
The Last of the Mortimers: A Story in Two Voices
Oliphant, Mrs. (Margaret)
Fiction
Then the Italian, as if with an instinctive motion, laid his other hand
over the book, and clasped them both upon it as though to hold something
fast. Then to my amazement and to Sara’s--but to something more than
amazement on Sara’s part--something very much like pique and offence--he
turned towards Harry and began to talk on indifferent matters. I had
noticed a half-weary, half-impatient sigh escape him as he laid his
hands over that book; but he showed no other symptom of emotion. The
next moment he was talking in very good English, slightly, very
slightly, broken with now and then a foreign idiom, something about
public affairs. I confess I felt disappointed as well as Sara. He had
recognised that name; somehow it was familiar to him; and his
enigmatical answer had naturally stimulated our curiosity. He left us
behind him staring and wondering, when he suddenly glided from the brink
of some revelation to those quiet remarks upon English politics. Harry,
full of his share of the common excitement, did not enter into it with
half so much heart as Mr. Luigi. Harry blundered and was awkward, his
thoughts being elsewhere. Mr. Luigi was quite undisturbed and at his
ease. Sara scarcely spoke again while he remained; she did all but turn
her back upon him; she showed her pique quite clearly enough to catch
the quick eye of the Italian. Altogether he did not stay very long,
thinking us, I daresay, rather an uncomfortable party; and Harry,
disappointed, as I had expected, not to find me alone, and be able to
hold a comfortable consultation, went downstairs with him to smoke a
cigar.
“Now they are gone,” cried Sara; “now the man in the iron mask has left
us. I wonder if that is what one would call a romantic Italian? ah! I’d
rather have fat Domenico. Now they’re gone, do tell me, once for all,
what is godmamma Sarah to you?”
“Nothing in the world that I know of,” said I, faltering a little; “we
have only that drawing and her name in the old book.”
“I know there is something between her and _him_,” said Sara, returning,
to my great dismay to the other books on the table; “she knows about
him, or he knows about her, or something. You know she was a long time
abroad. What funny old books! Was it among those you found the drawing?
But, stop, here is another Mortimer--Richard A. Mortimer--who is he?
Papa has been their agent for centuries, and I have known them all my
life, but I never heard of a Richard Mortimer. Do tell me, who was he?”
“Indeed, it is all very odd,” cried I, really fluttered out of my
self-possession. “I wonder what will come of it? It is very strange and
bewildering. Richard Mortimer was my father.”
Public-domain text, read in full here on John Shaqi.
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