The Last of the Mortimers: A Story in Two VoicesOliphant, Mrs. (Margaret)
General
The Last of the Mortimers: A Story in Two Voices
Oliphant, Mrs. (Margaret)
Fiction
I was so much engaged with my own feelings, that I did not notice how
much the young people were taking it. When I did come to myself a
little, they were standing rather irresolute, that pretty young Milly
Mortimer looking at me in a kind of longing, reluctant way, either as if
she could not take me at my word, or had something on her mind. As for
her husband, he was looking at me too, but with a full eager look, which
I understood in a moment; his lip trembling and swelling out a little,
his eyes full, his whole face telling its story. When he caught my eye
he turned his look upon her, and then back to me again. Do you think I
did not understand him? He said, “You will take care of my Milly?”
clearer than he could have said it in a thousand words; and if my eyes
were slow to answer him, you may be sure it was no fault of will or
heart. Seeing she was shy to come to me, and recovering myself, I went
to the new Milly and kissed her. I can’t tell what a pleasure I took in
looking at her. She belonged to me--she was of our very own blood, come
from the same old forefathers. I thought nothing strange that I loved
her in a moment. It was not love at first sight, it was _natural
affection_. That makes a vast difference. Even Sara Cresswell was not
like a child of our own family. To think of another Milly Mortimer,
pretty, and happy, and young! such a Milly as I might have been perhaps,
but never was. I felt very happy in this child of my family. It was half
as good as having a child of one’s own.
Then they showed me some other books with poor Richard Mortimer’s name
in them, and his drawing of the Park, and Sarah getting on her horse.
Poor fellow! but I rather fear he could not have been any great things
of a man. I felt quite easy and light at my heart; nothing seemed to
frighten me. And the two young people even, in the little excitement,
forgot their own trouble, which was a comfort to me.
“But all this time, my dear,” said I, at length, “you have said nothing
about your brother. How did he get to be Italian,--and what did he mean
by asking about that lady--and why not come at once to the Park and say
out who he was?”
“My brother?” said the young wife, faltering; and gave a wondering look
at me, and then turned round, with a habit she seemed to have, to
consult her husband with her eyes; “my brother? I am afraid you have not
understood. Harry is----”
“I know what Harry is,” cried I; “don’t tell me about _him_. I mean your
brother--your brother. Why, dear, dear child, don’t you understand? I
met this man at the door of this very house--Mr. Luigi, you know as they
call him; of course he must belong to you.”
“Indeed,” said the new Milly, with very grave, concerned looks, “I never
spoke to him but once in my life; we don’t know anything about him. I
never had any brother; there were none but me.”
Public-domain text, read in full here on John Shaqi.
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