The Last of the Mortimers: A Story in Two VoicesOliphant, Mrs. (Margaret)
General
The Last of the Mortimers: A Story in Two Voices
Oliphant, Mrs. (Margaret)
Fiction
Everything familiar stopped short and broke off when we got into the
carriage. Aunt Milly was not a great lady. I don’t think anything could
ever have made her a great lady; but it was clear she had been a person
of consideration for many a year. I never had been in such a carriage
before; indeed, I don’t think I had ever been in any carriage but a
public one, for, of course, Aunt Connor was not rich enough to have a
carriage of her own. But when I sat down by Aunt Milly’s side, I could
not help feeling immediately that it all belonged to me. It was a
strange feeling, and indeed, if nobody will be shocked, it was a very
pleasing feeling. Instead of making me discontented, somehow it quite
reconciled me to being poor. My own opinion is, that people of good
family, or whatever is equivalent to good family,--people that know they
belong to a higher class, whether other people know it or not,--always
bear poverty best. It does not humiliate them as it does people who have
always been poor. I think I could have stood any remarks upon my bonnet,
or even baby’s pelisse, with great equanimity after my visit to the
Park; being poor looked so much more like an accidental circumstance
after that. Perhaps I don’t explain very well what I mean, so I will
just state it plainly, and then you may understand, or disagree with it,
just as you choose. The higher one’s rank is, the better one can bear
being poor. There! it is not the common opinion, but I believe it all
the same for that.
And here was the Park, the very same great modern house that stood
(leaning on the trees) in poor papa’s drawing, with two wings drawn out
from the main body of the building, and a curious archway and a little
paved court at the side before you came to the great door. We went to
the great door as we were strangers, and I could see the grave face of
my omnibus acquaintance peeping through a round bow-window close to the
door before he admitted us, very solemnly and with profoundest abstract
air. I wonder if he could remember us. His face looked as blankly
respectful as if any idea on any subject whatever would somehow be
unbecoming the dignity of the Park. Aunt Milly, who had gradually become
fidgety, now took hold of my hand and drew me forward quickly. I went
with her, a little astonished, but with no clear idea where I was going.
She took me into a very long, very large room, with a great many tall
windows on one side, a room so big as to look a perfect maze of
furniture to me. I saw nobody in it, and did not think of it as being a
room in common use. She had brought me to see some picture, no doubt.
But Aunt Milly hurried me up this long room, with her hand upon my
wrist, to a screen that seemed drawn so as to shelter one side of the
fireplace. When we came in front of this, I was greatly startled to see
a lady, with large knitting-pins in her hands, rise slowly from an
arm-chair. There was nothing extraordinary in her look; she had fine
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account