I felt ill and shaken all the rest of that day. It was some time before they would let me get up from the sofa, and I quite remember how very strange it was to lie there in the great daylight room, with the sky looming in through the great window, and to watch, always so close by, and yet so distant, that screen which was drawn out by the side of the fire. I could not keep my eyes from that harmless piece of furniture. Aunt Milly kept coming and going, constantly talking to cheer me up, and bring things to show me. But no sound came from the screen. There, in that little space, shut off and shaded out of the centre of her home, sat the woman who already fascinated me with an influence I could not explain. Without knowing what I was doing--indeed, even I may say against my will,--strange recollections of stories I had read came up to my mind; about people in masks going whispering through an evil life, about the veiled prophet in the poem, about secret hidden creatures suspected of all manner of harm, but never found out, or betrayed. There she was, within three paces of me, concealed and silent,--or was it not rather watchful, lurking, with her bloodless smile and her shut up heart? My imagination, perhaps, is always too active; somehow it quite overpowered me that day. It seized upon Miss Sarah Mortimer’s looks and her voice, and the strange separation which she made by that screen between herself and the world. She was different--entirely different--from that old ghastly Miss Mortimer whom I used to dream of in my grandfather’s house; that one with her hair all mixed with grey, and her dark careless dress, sitting by the fire with the ghosts of the past about her, was a pleasant recollection in face of this. The great beauty, deserted of all the world and fallen into solitude, had something pathetic in her loneliness. But behind that screen there was no pathos that I could see; nothing human, I had almost said. What folly to speak so! To anybody’s eyes but mine, I daresay there was only an old lady very prettily and carefully dressed, everything about her looking as if it were intended to repeat and reproduce the effect of her white hair; soft colours with clouds of something white coming over them. But I could not look at her in that way. I was in awe and afraid when I looked at the screen. It was a comfort to get out of the room, to go upstairs, where after a while Aunt Milly took me. But I could not forget her even upstairs. There she sat in her armchair, stony-eyed, knitting like one of the Fates,--or was it spin they did?--and that screen drawing a magical, dreadful shadow round her chair.