The Last of the Mortimers: A Story in Two VoicesOliphant, Mrs. (Margaret)
General
The Last of the Mortimers: A Story in Two Voices
Oliphant, Mrs. (Margaret)
Fiction
That was a very miserable day. I cannot fancy a more uncomfortable
position for a stranger than that of being thrust into some distressing
family secret, almost immediately after his or her introduction to the
family in which it exists. This was just what had happened to me. I was
kept one way or the other between those two sisters all the day. Aunt
Milly kept continually appealing to me with her eyes, for conversation
would not keep up its fluctuating and feeble existence in presence of
that figure within the shelter of the screen; and my unlucky position of
confidante must have been so apparent that I should not have wondered at
any degree of dislike or displeasure which Miss Mortimer could have
shown me. She did not show any, however; I could discern no signs of
aversion to me. What am I saying? I could discern no signs of any human
feeling whatever in her appearance and behaviour that day. My impression
was that the sole thing with which her mind was occupied, was the effort
to keep her head steady, and overcome the nervous, tremulous motion
which agitated her frame. It was a relic, it might be an evidence, of
some unseen tempest. But I am firmly convinced that this was the subject
of all her thoughts. I watched, I must confess, with intense curiosity,
though as quietly as possible, that she might not see I was watching
her, every movement she made. But she did not notice me; she scarcely
noticed anybody; she was careless of what other people were thinking;
what she laboured after, all that miserable, lingering, rainy night was
to get the command of herself. She never ventured to unbend her attitude
in the slightest degree. She set her teeth together sometimes, and made
her face look ghastly; but she could not keep down that external symptom
of the trouble or tempest within. Her head kept moving with an incessant
tremble; her hands were too much agitated to pursue their work. She kept
the knitting-pins in her fingers, and held them rigidly together, as if
she were knitting, and sometimes made a few convulsive stitches, and
dropt them again, and bent in a tragical dismal confusion over that
trifling occupation of hers, which had grown so weird an adjunct of
herself to me. I watched her with a certain horror and pity which I
cannot describe. It was not her paltry wealth and lands she was
defending; it was her honour and her life. There she sat a solitary
desperate creature driven to bay, with dear Aunt Milly’s vague terrors
and anxieties revolving about her; but conscious in herself of a misery
and danger far transcending anything in her innocent sister’s thoughts.
Life and honour! but I believed there was no way in this world to defend
them but by unnatural falsehood, cruelty, and wrong, and that she did
not shrink from these means of upholding herself. Perhaps even a
virtuous struggle would have exercised less fascination, than the sight
of that desperate guilty secret resistance. I could not keep my eyes
from Miss Mortimer.
Public-domain text, read in full here on John Shaqi.
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