The last Punic war, Vol. 2 (of 2) : $b Tunis, past and present : with a narrative of the French conquest of the regency.Broadley, Alexander Meyrick
History
The last Punic war, Vol. 2 (of 2) : $b Tunis, past and present : with a narrative of the French conquest of the regency.
Broadley, Alexander Meyrick
Tunisia -- History; Tunisia -- History -- French occupation, 1881-1956
marble pillars, and arches supporting a wooden roof beautifully painted
in squares. In a corner of the court is a cell containing a tomb. Here
lies Abdullah Ben Sharíf el Hindowi, an Indian pilgrim, who sought an
asylum and found a grave in Kairwán a century ago. At the farther end of
the cloister is a doorway and two windows from Rome or Florence. Their
cornices are profusely adorned with fruit and flowers, and the jambs of
the door are picked out in red porphyry. A massive grating of bronze
fills each window. The door itself is of carved dark wood. It led to the
tomb of “my Lord the Companion,” a more sacred spot, if possible, even
than the _mihráb_ of Okhbah himself; for here for nearly twelve hundred
years has slumbered a personal friend of the founder of the faith of
Islam, who lived, died, and was buried, wearing always as a symbol of
devotion a portion of the Prophet’s beard on his breast. I was the first
European who ever entered this Moslem _sanctum sanctorum_. The chamber
is about twenty-one feet square, and lofty. Its walls are covered with a
geometrical pattern worked out in black and white marble. Four lengthy
inscriptions are embedded in them, and the room is dimly lighted by four
small windows of rose-coloured and blue glass. From the cupola of
fretwork hangs a grand old chandelier of twisted Venetian glass. Below
this is the tomb itself, surrounded by a high grating of bronze, shut in
by four marble columns about seven feet high. From a rod, on a line with
the grating, hung festoons of ostrich-eggs and golden balls. The
catafalque above the grave is covered by two elaborately embroidered
palls: the first of black and white velvet, adorned with Arabic
inscriptions in silver, was the gift of the late Ahmed Bey; the second,
of pink and blue brocade, was a votive offering from Muhammed es Sadek.
Over these hung thirteen banners, rich in gold, silver, and
needlework—the tribute of the successors of Heussein Ben Ali to the
sanctuary of the Sidi Bou Awíb. Our visit was certainly unexpected, for
at least a dozen fine Arabic MSS. rested on as many lecterns of mother-
of-pearl and tortoise-shell in front of the screen. The guardian of the
_zaouia_ could hardly realise the fact of Christians desecrating by
their presence such holy ground. Running his amber chaplet through his
hands with feverish haste, he suddenly threw himself upon his face, and
probably prayed to be forgiven. Some Algerian soldiers who had followed
us, prostrated themselves before the tomb, and eagerly kissed the edge
of the palls through the metal lattice-work. Looking at the bright white
marble pillars of the cloister, my eye fell on one remarkable capital:
at either corner a bird supported a Greek cross in the centre. The
spoils of some fair Byzantine church had evidently been brought to
honour the resting-place of the “Friend of the Prophet.”
[Illustration: _The Tomb of Sidi-ex-Saheb Ennabi._]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account