The last Punic war, Vol. 2 (of 2) : $b Tunis, past and present : with a narrative of the French conquest of the regency.Broadley, Alexander Meyrick
History
The last Punic war, Vol. 2 (of 2) : $b Tunis, past and present : with a narrative of the French conquest of the regency.
Broadley, Alexander Meyrick
Tunisia -- History; Tunisia -- History -- French occupation, 1881-1956
seems to be the greatest possible measure of self-inflicted bodily
torture, coupled with the greatest conceivable amount of religious
frenzy. Practical Aïssaouia only exist in North Africa; theoretical
Aïssaouia are to be found in all countries. During my visit I asked Sy
Hamuda if he had any objection to Europeans witnessing one of his
meetings. He replied that he would welcome them with pleasure, and even
organise a special assembly for their reception. In accordance with his
invitation, we repaired on the following evening once more to the
sanctuary of Sidi Bou Aïssa. The hall had been evidently decked and
garnished; the lamps burned brightly in the cupola amidst the golden
balls and ostrich-eggs; the sheikh was clothed in a rich silk robe of
office and an awe-inspiring green turban; and a row of rush-seated cane-
chairs was waiting to receive the expected visitors. In ten minutes six
or seven hundred Arabs filled every inch of available space. The Sheikh
Hamuda took his seat in the centre surrounded by the musicians, and an
old blind Aïssaouí, guided by a little girl, came in gently from a side
door and sat down beside him. The Aïssaouia themselves occupied the
whole space covered by the cupola. The aisles contained the Moslem
spectators of the first religious rite ever witnessed by Christian eyes
in the holy city of Kairwán. Amongst the Aïssaouia I noticed grey-
bearded and decrepit old men, many sedate-looking shopkeepers I had
previously seen in the bazaars, half a score of the Bey’s soldiers, and
a dozen children under twelve years of age. The sheikh struck a note on
a drum; the musicians began to play a peculiar and monotonous tone,
gradually increasing in intensity. After a pause several of the
Aïssaouia rose, and swaying backwards and forwards shoulder to shoulder,
shrieked a chorus to the sound of the drums. The music quickened, and so
did the chorus. Then one of the most wild-looking of the singers began
to throw off his clothes, and passed down the line to urge the others to
shout with renewed energy. Then one of the Tunisian soldiers (he wore
the Bey’s brass badge on his red cap) seized a sword and began to
lacerate his stomach. The blood flowed freely, and he imitated all the
time the cries and movements of the camel. We soon had a wolf, a bear, a
hyena, a jackal, a leopard, and a lion. One man knelt down before the
sheikh, and holding two long prongs to his sides, insisted on their
being driven into his flesh with blows of a mallet: this was done. A
mere lad did the same thing. A burly Arab passed an iron skewer through
the upper part of his nose and transfixed the skin of his face below the
eyes. He rushed apparently towards us. Two or three powerful men knocked
him down, and held him till the sheikh laid his hands on him and
whispered some mysterious formula in his ear. Another man in quick
succession swallowed more than twenty large iron nails, there being no
mistake whatever as to his really doing so.
Public-domain text, read in full here on John Shaqi.
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