Europe -- Fiction; Imaginary wars and battles -- Fiction; War stories
"And maybe women! I'd like to kiss a pretty maid servant!" Pilzer added,
starting toward the hall.
"Stop!" cried Hugo, forcing his way in front of Pilzer.
He was like no one of the Hugos of the many parts that his comrades had
seen him play. His blue eyes had become an inflexible gray. He was
standing half on tiptoe, his quivering muscles in tune with the
quivering pitch of his voice: a Hugo in anger! This was a tremendous
joke. He was about to regain his reputation as a humorist by a brilliant
display in keeping with the new order of their existence.
"We have no right in here! This is a private house!"
But the fever of their savagery--the infectious savagery of the
mob--wanted no humor of this kind.
"Out of the way, you white-livered little rat!" cried Pilzer, "or I'll
prick the tummy of mamma's darling!"
What happened then was so sudden and unexpected in Hugo that all were
vague about details. They saw him in a catapultic lunge, mesmeric in its
swiftness, and they saw Pilzer go down, his leg twisted under him and
his head banging the floor. Hugo stood, half ashamed, half frightened,
yet ready for another encounter.
Fracasse, entering at this moment, was too intent on his mission to
consider the rights of a personal difference between two of his company,
though he heard and noted Pilzer's growling complaint that he had been
struck an unfair blow.
"There's work to do! Out of here, quick! We are losing valuable time!"
he announced, rounding his men toward the door with commanding
gestures. "We are going in pursuit!"
Marta, who had observed the latter part of the scene from the shadows of
the hall, knew that she should never forget Hugo's face as he turned on
Pilzer, while his voice of protest struck a singing chord in her
jangling nerves. It was the voice of civilization, of one who could
think out of the orbit of a whirlpool of passionate barbarism. She could
see that he was about to spring and her prayer went with his leap. She
gloried in the impact that felled the great brute with the liver patch
on his cheek, which was like a birthmark of war.
After the men were gone she regretted that she had not gone to Hugo and
expressed her gratitude. She vaguely wondered if she should see him
again and hoped that she might. The two faces, Hugo's and Pilzer's, in
the instant of Hugo's protest and Pilzer's contempt, were as clear as in
life before her eyes.
Then a staff-officer appeared in the doorway. When he saw a woman enter
the room he frowned. He had ridden from the town, which was empty of
women, a fact that he regarded as a blessing. If she had been a maid
servant he would have kept on his cap. Seeing that she was not, he
removed it and found himself in want of words as their eyes met after
she had made a gesture to the broken glass on the floor and the
lacerated table top, which said too plainly:
"Do you admire your work?"
Public-domain text, read in full here on John Shaqi.
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