The Last Vendée; or, the She-Wolves of MachecoulDumas, Alexandre
History
The Last Vendée; or, the She-Wolves of Machecoul
Dumas, Alexandre
Berry, Marie-Caroline de Bourbon-Sicile, duchesse de, 1798-1870 -- Fiction; France -- History -- Louis Philippe, 1830-1848 -- Fiction
"I know not to whom we ought to kneel, nor why I kneel to you," said
the young man. "What I feel is far beyond all that I ever felt
before,--greater than my affection for my mother, so great that I do
not know where to place or what to call the sentiment that leads me to
adore you. It is something which belongs to the reverence you speak
of, which we offer to God and to the saints. For me you are the whole
creation; in adoring you it seems to me that I adore the universe
itself."
"Oh, monsieur, cease to say such things! Michel! my friend!"
"No, no, leave me as I am; suffer me to consecrate myself to you with
an absolute devotion. Alas! I feel,--believe me, I am not mistaken,--I
feel, since I have seen men who are truly men, that the devotion of a
timid, feeble child, which, alas! I am, is but a paltry thing at best;
and yet it seems to me that the joy of suffering, of shedding my
blood, of dying, if need be, for you, must be so infinite that the
hope of winning it would give me the strength and courage that I
lack."
"Why talk of suffering and of death?" said Mary, in her gentle voice.
"Do you think death and suffering absolutely necessary to prove an
affection true?"
"Why do I speak of them, Mademoiselle Mary? Why do I call them to my
aid? Because I dare not hope for another happiness; because to live
happy, calm, and peaceful beside you, to enjoy your tenderness, in
short, to make you my wife, seems to me a dream beyond all human hope.
I cannot picture to my mind that such a dream should ever be reality
for me."
"Poor child!" said Mary, in a voice of at least as much compassion as
tenderness; "then you do indeed love me truly?"
"Oh, Mademoiselle Mary, why must I tell you? Why should I repeat it?
Do you not see it with your eyes and with your heart? Pass your hand
across my forehead bathed in sweat, place it on my heart that is
beating wildly; see how my body trembles, and can you doubt I love
you?"
The feverish excitement, which suddenly transformed the young man into
another being, was communicated to Mary; she was no less agitated, no
less trembling than himself. She forgot all,--the hatred of her father
for all that bore the name of Michel, the repugnance of Madame de la
Logerie toward her family, even the delusions Bertha cherished of
Michel's love to herself, delusions which Mary had so many times
determined to respect. The native warmth and ardor of her vigorous and
primitive nature gained an ascendency over the reserve she had for
some time thought it proper to assume. She was on the point of
yielding wholly to the tenderness of her heart and of replying to that
passionate love by a love even, perhaps, more passionate, when a
slight noise at the door caused her to turn her head.
Public-domain text, read in full here on John Shaqi.
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