The Last Vendée; or, the She-Wolves of MachecoulDumas, Alexandre
History
The Last Vendée; or, the She-Wolves of Machecoul
Dumas, Alexandre
Berry, Marie-Caroline de Bourbon-Sicile, duchesse de, 1798-1870 -- Fiction; France -- History -- Louis Philippe, 1830-1848 -- Fiction
This costume brought out the grace and suppleness of Bertha's figure;
and her gray felt hat, with its white feathers, lent itself
marvellously well to the manly character of her face. Seen thus, she
was enchanting. Although, by reason of her masculine ways, Bertha was
certainly not coquettish, she could not prevent herself, in her
present condition of mind or rather of heart, from noticing with
satisfaction the advantages her physical gifts derived from this
equipment. Perceiving, too, that it produced a great impression upon
Michel, she became as exuberantly joyful as the marquis himself.
The truth is that Michel, whose mind had by this time reached a
certain enthusiasm for his new cause, did not see without an
admiration he gave himself no trouble to conceal the proud carriage
and chivalric bearing of Bertha de Souday in her present dress. But
this admiration, let us hasten to remark, came chiefly from the
thought of what his beloved Mary's grace would be in such a
costume,--for he did not doubt the sisters would make the campaign
together in the same uniform.
His eyes had, therefore, gently questioned Mary, as if to ask her why
she did not adorn herself like Bertha. But Mary had shown such
coldness, such reserve, since the double scene in the turret chamber,
she avoided so obviously saying a word to him, that the natural
timidity of the young man increased, and he dared not risk more than
the appealing look we have referred to.
It was Bertha, therefore, and not Michel, who urged Mary to make haste
and put on her riding-dress. Mary did not answer; her sad looks made a
painful contrast to the general gayety. She nevertheless obeyed
Bertha's behest and went up to her chamber. The costume she intended
to wear lay all ready on a chair; but instead of putting out her hand
to take it, she merely looked at the garments with a pallid smile and
seated herself on her little bed, while the big tears rolled from her
eyes and down her cheeks.
Mary, who was religious and artless, had been thoroughly sincere and
true in the impulse which led her to her present rôle of sacrifice and
self-abnegation through devotion and tenderness to her sister; but it
is none the less true that she had counted too much on her strength to
sustain it. From the beginning of the struggle against herself which
she saw before her, she felt, not that her resolution would fail,--her
resolution would be ever the same,--but that her confidence in the
result of her efforts was diminishing.
Public-domain text, read in full here on John Shaqi.
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