Immediately after the conversation we have just reported, the traveller left the farmhouse; he was anxious to be back at Nantes before the middle of the day. A few moments after his departure, though it was scarcely daylight, Petit-Pierre, dressed in her peasant's clothes, left her room and went to the hall on the ground-floor of the farmhouse. This was a vast room, the dingy walls of which were denuded in many places of the plaster that originally covered them, while the beams across the ceiling were blackened by smoke. It was furnished with a large wardrobe of polished oak, the brass locks and handles of which sparkled in the shadow of the dull, brown masses about it. The rest of the furniture consisted of two beds, standing parallel, surrounded by curtains of green serge, two common pitchers, and a clock in a tall carved wooden case, the ticking of which was the only sign of life in the silence of the night. The fireplace was broad and high, and its shelf was draped with a band of serge like that of the curtains; only, instead of fading to a rusty green, this piece of stuff, owing to the smoke, had changed to a dingy brown. On this mantel-shelf were the usual adornments,--a wax figure, representing the Child Jesus, covered by a glass shade; two china pots, containing artificial flowers, covered by gauze to protect them from flies; a double-barrelled gun; and a branch of consecrated holly. This hall was separated from the stable by a thin board partition, and through this partition, in which were sliding panels, the cows poked their heads to eat the provender that was laid for them on the floor of the room. When Petit-Pierre opened the door a man who was warming himself under the high mantel of the fireplace rose and walked away respectfully to leave his seat free to the new-comer. But Petit-Pierre made him a sign with one hand to resume his chair, gently pushing him with the other. Petit-Pierre then fetched a stool and sat down in the farther corner of the fireplace opposite to the man, who was no other than Jean Oullier. Then she leaned her head on her hand, put her elbow on her knee, and sat absorbed in reflection, while her foot, beaten with a feverish motion which communicated a tremulous movement to the whole body, showed that she was under the shock of some deep vexation. Jean Oullier, who, on his side, had subjects for thought and anxiety, remained silent and gloomy, twisting his pipe, which he had taken from his mouth when Petit-Pierre entered the room, mechanically in his fingers, and issuing from his meditations only to give vent to sighs that seemed like threats, or to push the burning logs together on the hearth. Petit-Pierre spoke first. "Were not you smoking when I came in, my brave fellow?" she said. "Yes," he replied, with a very unusual tone of respect in his voice. "Why don't you continue?" "I am afraid it may annoy you."