Palmer was a man of acute and affectionate feelings, which had been much exercised by the course and events of his life. He had recently lost his wife and a favorite son, labored in consequence under profound grief and depression of mind which he strove to overcome, and had expressed a conviction that these mental sufferings would very shortly bring him to his grave. During some days he seemed, however, to bear up against his misfortunes, and performed in some pieces, including _The Stranger_, with much success. About a week afterward he appeared a second time in that character, when he fell a victim to the poignancy of his feelings. On the morning of the day he was much dejected, but exerted himself with great effect in the first and second acts of the play. In the third act he showed evident marks of depression; and in the fourth, when about to reply to the question of Baron Steinfort relative to his children, appeared unusually agitated. He endeavored to proceed, but his feelings overcame him. The hand of death arrested his progress, and he fell on his back, heaved a convulsive sigh and instantly expired without a groan. Having been removed to the scene-room, and medical aid immediately procured, his veins were opened, but yielded not a single drop of blood, and every other means of resuscitation was tried without effect. His death was by most persons ascribed to apoplexy; but Dr. Mitchell and Dr. Corry gave it as their opinion that he certainly died of a broken heart, in consequence of the family afflictions which he had recently experienced. _Annual Register._ PARK (Edwards Amasa, distinguished American theologian, author and translator, professor in Andover Theological Seminary, and one of the editors of the "Bibliotheca Sacra"), 1808-1899. "_These passages may be found on the following pages._" His mind was wandering, and, like Dr. Adam, head master at the High School in Edinburgh, he thought himself once more in the class-room. PARKER (Theodore, Unitarian preacher and writer), 1810-1869. "_It is all one, Phillips and Clarke will come for my sake._" He meant that Wendell Phillips and James Freeman Clarke would attend his funeral. He died at Florence, where he had gone for his health. The character of Theodore Parker was above reproach. His tone of morality was high. His motives were elevated, and, apparently, sincere. His firm grasp of some of the fundamental principles of natural religion, together with his unfailing confidence in his own powers, gave a strength to his utterances of truth and duty which often stirred and swayed the moral nature of his hearers. But in all his writings we find no expression of a consciousness of guilt and of need as a sinner, and no recognition of Christ as a Saviour. Of Theodore Parker, Lowell speaks thus wittily, in his "Fables for Critics:"