Strong as were his nerves, he had to force himself to apply a knife to
its brown-papered back. And then, with a queer vindictive howl of
triumph, he drew forth a curiously insipid portrait of Van Hupfeldt,
inscribed "To Gwen," with a date, and, folded behind it, a terrible
little note, merely dated "Paris; Tuesday," which read:
MY POOR GIRL--At last, then, you force the miserable truth from
me. Mrs. Strauss is my wife. She is twice my age. She forced me
to marry her ten years ago for her money. She is, indeed,
dying, and then I can fly to you. For the sake of our boy,
forgive me.
HARRY.
"Ah!" There was something sadly animal in David's triumph. He felt like
a dog which has seized the rat after which it has been straining, and,
in a minute or two, he had the grace to be ashamed of himself. Then he
thought of Violet, and he broke down, crying like a child. Those tears
were good for him; they brought him back to sanity and garnished the
dark places of his heart.
But what to do? That was more than ever the problem. He bolted and
barred his door that night, and the photograph and letter lay beside
his revolver under his pillow. Not forty Van Hupfeldts nor a legion
of ghosts should reave him of those telling pieces of evidence!
CHAPTER XIX
VIOLET DECIDES
Violet, waked from broken rest by the cooing of doves, had rue in her
soul. She met her mother at breakfast, and the good woman, thinking her
daughter not altogether in her right senses, was disposed to be somewhat
snappish. So the girl was driven back on her sad imaginings, nor were
they dissipated by David's two little notes. When she sent the messenger
away the second time she was in a strange state of calm. Despair had
numbed her: she thought persistently of her sister, and wondered if the
only true rest was to be found in that dark nook of the grave.
She saw a carriage depart for the railway station to bring Van Hupfeldt.
In half an hour its wheels grated on the gravel of the drive, and a
servant came to her room to summon her to the fateful conclave. She was
on her knees, in dry-eyed prayer, and the frightened maid, who loved
Miss Violet, had a little catch in her voice as she said:
"You are wanted in the drawing-room, miss, and please, miss, I do hope
you won't take on so. Everybody says you ought to be happy; but
I"--sniff--"I know yer ain't, miss."
Violet rose and kissed the girl. It was good to have such honest
sympathy.
In the big, cheerful salon beneath she found her mother, stiff and
self-conscious, wondering what people would think if Violet persisted in
her folly; Van Hupfeldt, collected and deferential, wearing a buttonhole
of violets (of all flowers in creation!), and, seated gingerly on the
edge of a chair, a quietly dressed young woman with "domestic servant"
writ large upon her. But Dibbin, for whom Violet's eyes searched
dreamily, was not there.
Public-domain text, read in full here on John Shaqi.
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