European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
Gracian is worth singling out, not for his merits, but because he so
thoroughly typified a something in the Spaniard which, oddly mixed with
his real humour and sound sense, gives him a leaning to the theatrical
in the worst sense of the word. When Shakespeare drew Don Adriano de
Armado, the fantastical Spaniard, he was not laughing at random at
the foreigner. And this side of the people was never more conspicuous
than in the middle seventeenth century. It came out everywhere, from
serious treatises on politics down to the fencing-book of the egregious
Don Luis de Narvaez de Pacheco. It was not that Spain wanted for able
men. Diego de Saavedra-Fajardo, the author of the history of the Goths,
and of a curious book of emblems called _Empresas Politicas_, or ‘The
Idea of a Political Christian Prince’; Vera y Figueroa, the author
of _The Ambassador_; Suarez de Figueroa, who wrote the miscellaneous
critical dialogues called _El Pasagero_--‘The Traveller,’--were none
of them insignificant men, but there was a perpetual straining after
sententious gravity in them, an effort to look wiser than life, an
attempt to get better bread than could be made out of wheat. They
helped to give Europe the old idea of the rigid sententious Spaniard
which is so strangely unlike the real man. But it was the time of the
frozen court etiquette of the Hapsburg dynasty, and of grave peremptory
manners in public, covering an extraordinary relaxation of morals, and
an unabashed taste for mere horseplay in private. These writers gave
the literary expression of the artificial Spain of the seventeenth
century. It adds to the piquancy of the contrast that at a time when
Spain was marching resolutely, and with her eyes open, to ruin, by
accumulating fault upon fault, the political writers named here, and
others, abounded in good sense. To take a single example. Among the
emblems of Saavedra-Fajardo is one representing a globe supported
between the sterns of two warships, with the motto “His Polis.” In the
Essay the Spanish diplomatist sets out the whole doctrine, so familiar
in our own days as that of “sea-power,” with great force. Yet this was
written, a melancholy example of useless wisdom, when his country was
destroying its last chance of maintaining a navy, by bleeding itself
nearly to death in the wars of Germany for the purpose of vindicating
the claims of the house of Hapsburg.
Public-domain text, read in full here on John Shaqi.
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