European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
the fire from heaven, and elsewhere, of the Elizabethan time, there was
an unending wishy-washy, though frequently turbid, flow of copy-book
heading, which came from the great Lylyan source. It looks strange that
a time which loved _Tamburlaine_ and produced the great lyric, should
also have delighted in this square-toed finical vacuity. But perhaps,
again, it is not so wonderful. There was also in the Elizabethan time
a liking for what looked superior to the common herd. About the Court
there was much foppery, and there were many who wished to resemble
the fine gentlemen of the Court, while the reviving morality of the
age, compatible as it was with much individual profligacy, made men
respectful of virtuous commonplace. With the minority of Edward VI.
and the brutality of the Court of Henry VIII. close behind them, it
was as yet hardly the case that “the cardinal virtues were to be taken
for granted among English gentlemen.” Surrey may have been jesting
when he told his sister to make herself the king’s mistress, but what
a society that must have been in which a brother, and he “a mirror of
chivalry,” thought this a mere jest. Now Lyly was very moral, a fop
to his fingers’ ends, and with all his oddity and his pedantry, there
is a real, though very artificial, distinction about him. Finally,
there were as yet few and insignificant rivals. It is not then at all
surprising that his style was taken up at Court as “the thing,” and
accepted by the honest admiration, to say nothing of the snobbery, of
the outer world.
Public-domain text, read in full here on John Shaqi.
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