European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
The five writers just named are not only excellent in themselves,
but each of them is either in his own person the representative of a
class, or makes us acquainted with one. Vincent Carloix wrote, not
his own life, but that of his master, François de Scépeaux, Marshal
de Vieilleville (1509-1571).[106] Carloix was the Marshal’s secretary
for thirty-five years, and was fully trusted by him. It was by
Vieilleville’s direction that the secretary undertook the memoirs,
for which he was supplied with ample materials. He gives, as to the
matter, the picture of a very important member of the party called
“Les Politiques”--that is, those Frenchmen who, with no wish to
separate from the Church of Rome, had yet no fanatical enmity to the
Huguenots on religious grounds, but who were the enemies of the Dukes
of Guise of the house of Lorraine. “Les Politiques” conquered in the
end by alliance with Henry IV., and from them, years after the death
of Vieilleville, came one of the most remarkable of political satires,
the _Satyre Ménippée_. The style of Carloix is one of singular life
and colour, “although,” as the editor of the edition of 1757 says, “it
is full of Gaulish, and antiquated, phrases and expressions.” It would
now appear more proper to put “because.” Carloix has been said to have
taken “Le Loyal Serviteur,” who wrote the life of Bayard, as his model.
But if so, he followed him only in his plain narrative. Carloix has a
wit and a share of the quality called by the French _malice_, wanting
to Bayard’s simple-hearted squire. Under his air of candour he is a
shrewd experienced man of the world.
[SN: _La Noue._]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account