European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
The title of memoir-writer must be understood in a very wide sense when
it is applied to D’Aubigné. Strictly speaking, the short _Vie à ses
Enfants_ is his memoir.[108] The _Histoire Universelle_, his main work
in prose, is a great general history of contemporary events at home
and abroad. But then it is also a history of events in which D’Aubigné
himself played an active part, and which he tells from an intensely
personal point of view. It is to be noted that it ends with the wars
of Religion, and the peace which was brought about by the abjuration
of the king--that is to say, when D’Aubigné himself ceased to take a
prominent share in public affairs. To judge by his other prose work,
which is considerable,[109] D’Aubigné was by nature a vehement--or even
virulent--pamphleteer. His _Baron de Fœneste_ and his _Confession de
Sancy_ are fiercely satirical. They are also rather obscure, and not
easily readable. It was on the suggestion of Henry IV. that he first
began to think of writing the history of his time. He was to have
worked in co-operation with the President Jeannin, an ex-Leaguer, and
another thorough-going partisan. It is difficult to imagine what they
could have produced between them. This fantastic scheme was dropped,
and the _Histoire Universelle_ was written after the king’s death. The
style of D’Aubigné shows the influence of his learned education, and of
his practice in the poetic school of Ronsard. He sometimes uses purely
pedantic words, as when he says that his father put him under the
charge of a tutor, “Jean Costin, homme astorge et impiteux.” Astorge is
a Greek word (ἄστοργος), which would never have been used by Carloix,
La Noue, or Monluc. Again, he deliberately followed classic models in
the long speeches, frequently delivered by himself, which abound in his
History, and are the most carefully written parts. When he tells Henry
IV. in one of these addresses that it is useless for him to endeavour
to make peace with the Court, because “you are guilty of your birth,
and of the wrongs which have been done you,” the echo of Sallust and
of Tacitus is distinctly audible; yet he can also be colloquial, and
has no scruple in using idiomatic and proverbial phrases which a later
generation would have rejected as unworthy of the “dignity of history.”
Dignity is not wanting to D’Aubigné, but it is given by the force of
his thoughts and of his character, which is that of a man who might
be a tyrannical friend and an exacting servant, but who was brave and
high-minded.
[SN: _Monluc._]
Public-domain text, read in full here on John Shaqi.
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