European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
Different though they were in life and character, there is a certain
resemblance between Monluc and Brantôme. Both have the same air of
perfect satisfaction with themselves, and both pour out the fruits
of their varied experience with the same appearance of colloquial
confidence.[111] Pierre de Bourdeilles, called Brantôme from the name
of an abbey of which he was lay abbot--that is to say, of which he
drew the abbot’s portion by favour of the king, without taking the
vows--was a younger son of a distinguished family of Perigord. He was
born about 1540, and died in 1614. During many years he travelled much,
fought more or less, and lived at Court in the intervals of journeys or
campaigns. Being disappointed of a place which the king had promised
him, he was preparing to revenge himself by treason, when his horse
fell with him, and crippled him for life. Brantôme now betook himself
to writing his reminiscences as a consolation. Though he professed a
certain contempt for letters, he spent great pains on his work, and
its bulk is considerable. In addition to some minor treatises--the
so-called _Discours des Duels_, the _Rodomontades Espaignolles_, and a
few others--he made two great collections, which he named _Des Hommes_
and _Des Femmes_. These he rewrote and revised not a little. It was
his wish that they should be published as he left them, but his heirs
neglected his directions. His manuscripts were copied, handed about,
and finally straggled into print by fragments, to which the booksellers
gave fancy names, such as _Les Grandes Dames_, _Les Dames Galantes_,
and so forth. The admiration which Monluc felt for his own business
of soldiering, Brantôme extended to every manifestation of energetic
character by deed or word, moral or immoral, with a marked, but mainly
artistic, preference for good sayings and immorality. He is not to
be trusted in details, but he is in himself an invaluable witness to
the time which produced him. Nowhere else can we see so fully the
combination of the French love of showy action, and indifference to
what we call morality, with the cruel wickedness of Italy, which
distinguished the Court of the later Valois. He does not seem to have
been in himself a bad man, and yet it does not appear that he saw
any difference between right and wrong. Murders, and breaches of the
seventh commandment, committed by ladies and gentlemen in a spirited
way, have his admiration quite as easily as the most honourable
actions. He tells all in the same brightly coloured, rapid, gossipping
style, and stops to rejoice over every striking story which runs from
his pen, whether it be a trait of magnanimity on the part of the Duke
of Guise, or the brutal murder of three unarmed traders by one of his
own friends, who was angry, and relieved his feelings by a butchery.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account