European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
des Rieux,
who speaks for the noblesse. The choice of this man--an historical
character who was finally hanged as a brigand--to speak for the nobles
is in itself a most ingenious stroke. He was a thorough military
ruffian of the worst stamp, low-born and ignorant, who had obtained
command of a castle, and who lived by plundering his neighbours. Des
Rieux begins by giving it as his opinion that nothing could prove the
excellence of the League more fully than just this, that the like
of him could come to speak for the nobles. He goes on in the same
tone, which is the swagger of a vulgar adventurer who feels himself
safe. No more artful way of showing to what the League was reducing
France could have been chosen. The speech of Des Rieux is attributed
to Jacques Gillot, clerk to the Parliament of Paris. Then the tone
of burlesque is dropped, and a vigorous denunciation of the League
is delivered by M. d’Aubray as the spokesman of the Third Estate,
the Burgesses. This, the longest of all, is said to be the work of
Pierre Pithou. The verse, partly scattered through the book and partly
collected at the end, belongs to Jean Passerat, the successor of Ramus
at the Collége Royal, and to Gilles Durant, a lawyer and country
gentleman. Both Passerat and Durant wrote other verse of excellence.
All this memoir, history, and satire is interesting, but no part of it
belongs to the literature which every thinking man in every country
has read, or knows that it would be good to read. They may be all left
aside, not without loss indeed, yet without irreparable loss. But
whoever has not read the _Essays_ of Montaigne has missed something
necessary for the “criticism of life”--the exposition of a habit
of thought, a way of looking at things, of discussing and deciding
questions of conduct and principle, which are not only French and
peculiar to one time, but human and universal.
[SN: _Montaigne._]
Public-domain text, read in full here on John Shaqi.
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