European literature -- Renaissance, 1450-1600 -- History and criticism; Renaissance; Spanish literature -- History and criticism
We may, then, pass rapidly over the minor things. It is to be noted
that his natural inclination was not towards letters, but to arms.
When a mere boy he did, indeed, write some verses on the death of
Isabelle of Valois, the wife of Philip II., but they were school
exercises written at the instigation of his master, Juan Lopez de
Hoyos, and published by him. Like Sir Walter Scott, he believed in the
greater nobility of the life of action, and more particularly in the
superiority of the “noble profession of arms.” If he could have had
his choice it would have been to serve the king, and more especially
to serve him in the reconquest of Northern Africa from the Mahometans.
He was driven to write by mere necessity, and the want of what he
would fain have had. During his captivity in Algiers he made plays for
the amusement of his fellow-prisoners. After his release, when he was
again employed as a soldier in the conquest of Portugal, in 1580 he
wrote his unfinished pastoral, the _Galatea_. He was married in 1584,
and established in Madrid. At this period he wrote many plays, now
lost, and two which have survived. The _Trato de Argel_, or ‘Life in
Algiers,’ has some biographical interest, and some general value as
a picture of the pirate stronghold, but is valuable on these grounds
only. The _Numancia_ belongs to the class of works describable in the
good sense as curious. It is a long dialogued poem divided into scenes
and acts, on the siege of Numantia by Scipio, and is not without a
certain grandiose force. As a play it shows that the Spanish drama
had not found its way, and that Cervantes was not to be its guide. It
struggles between imitation of the mystery, vague efforts to follow
an ill-understood classic model, and attempt to strike a new and
native path which the author could nowhere find. Then comes a long
interval, during which Lope was sweeping all rivals from the stage, and
Cervantes, in his own phrase, was buried “in the silence of oblivion.”
He was struggling for mere subsistence, working as a clerk under the
Commissary of the Indian fleet, collecting rents for the Knights of
St John, and finally, as it would seem, supporting himself, his wife,
a natural daughter born to him in Portugal before his marriage, and a
sister, by the trade of _escribiente_ at Valladolid. The _escribiente_,
still a recognised workman in Spain, writes letters for those who
cannot write for themselves.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account