The Laughing Cavalier: The Story of the Ancestor of the Scarlet PimpernelOrczy, Emmuska Orczy, Baroness
History
The Laughing Cavalier: The Story of the Ancestor of the Scarlet Pimpernel
Orczy, Emmuska Orczy, Baroness
Adventure stories; Historical fiction; Netherlands -- History -- 17th century -- Fiction
Jan and Piet the Red stand alone beside the prisoner: a sense of duty,
of decency hath kept their blood cool. Until they are relieved from
their post of guarding this man by orders from their lord, they will not
move. Let the others rage and scream and tumble over one another, there
must be at least a few soldiers among this rabble.
And the prisoner looks on all this confusion with eyes that dance and
sparkle with the excitement of what is yet to come. Torn rags and broken
accoutrements soon lie in a litter in the mud, trampled in by forty
pairs of feet. There is not one face now that is not streaked with
blood, not one throat that is not hoarse with terror--the terror of the
unknown.
In vain Jan from his post beside the prisoner shouts, harangues,
appeals, threatens! A fight? yes! defeat? why not? but betrayal!... no,
no, let's away. The Stadtholder is fiercer than any Inquisitor of
Spain ... his cruelty last February almost turned the nation against
him. But now--this second conspiracy--Stoutenburg again! what hope for
his followers?
The horrors of last February perpetrated in the Gevangen Poort of 'S
Graven Hage still cause many a rough cheek to blanch at their
recollection. Men had gone mad who had heard the cries which pierced
those stone walls then. One executioner had thrown down his bloody tools
and fled from the place like one possessed! Van Dyk and Korenwinder,
Slatius and the rest had been in hell ere a merciful death at last
released them from the barbaric cruelty of the Prince of Orange.
"No, no! such a fate cannot be risked. We are betrayed! let us fly!"
Suddenly one man starts to run.
"I am for the coast!" he shouts, and incontinently takes to his heels.
"_Sauve qui peut!_"
Like irresponsible creatures they throw down the very weapons for which
they have been fighting. The one man has given the signal for the run.
Everything now is thrown aside, there is no thought save for flight.
A splashing of the mud, a general shout, a scramble, a clatter--they
run--they run--crying to those who are behind to follow and run too.
In five minutes the dark basement is clear of noise--a litter of broken
arms lies in one heap close by, others are scattered all over the ground
in the mud, together with torn clothing, rags of leather and of cloth
and great red pools that mingle with the melted ice.
The mist surrounds it all, this abandoned battle field wherein fear was
the victor over man. The swiftly flying figures are soon swallowed up by
the grey wall which lies dense and heavy over the lowland around; for a
time they appear like ghosts with blurred outlines of torn doublets and
scraps of felt hats placed awry; then the outline gets more dim as they
run, and the kindly mist hides them from view.
Public-domain text, read in full here on John Shaqi.
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