The Laughing Mill, and Other StoriesHawthorne, Julian
Philosophy
The Laughing Mill, and Other Stories
Hawthorne, Julian
American fiction -- 19th century
"By-and-by I fancied a sound came--a sound from somewhere within the
house. It was a very faint sound, and did not come again; but it was
such as might have been caused by the light pressure of a foot in one
of the passages outside. Instinctively I reached forth my hand and laid
hold of my revolver; but I did not rise from the bed nor otherwise alter
my position. I still lay as if asleep, with the revolver in one hand,
the other beneath my head, and my eyes fixed upon the edge of the door,
which was obscurely visible in the mirror.
"Several minutes passed thus, and there was no return of the noise. Then
I saw the handle of the door move and turn. The latch clicked slightly;
the door, bolted though it was, opened as if on oiled hinges, admitting
an indistinct figure in a long robe of soft gray. So much I saw in
the mirror. Then the door was closed again, and the figure, advancing
towards the bed, ceased to be reflected in the glass. It advanced close
to the bed, and paused there a moment; I could hear its deep regular
breathing. All this time I had not moved, but lay with my back turned,
feigning slumber.
"Presently the figure passed round the foot of the bed and came up the
other side. The full white light of the moon fell upon it. It was Kate,
as I had known it was from the first moment she entered the room. She
was clad in a dressing-gown of soft flowing material, which was fastened
at the throat and trailed on the ground. It had wide sleeves, one of
which fell back from the bare smooth arm and hand that carried a lamp.
The lamp was not lighted. Her black hair hung down on her shoulders, and
on each side of her pale face. Her eyes were wide open, but fixed and
vacant. Her breathing was long and measured, as of one sound asleep.
"She put the lamp down on the table beside mine, and then stood quite
still in the moonlight, her face wholly expressionless and without
motion. It was an appalling thing to see her thus. I, too, remained
motionless, but it was because I knew not what to do. To awaken her
might bring on the worst consequences. If she were not disturbed, she
might possibly retire as quietly and unconsciously as she had come. But
the mystery of her being there at all appeared utterly inexplicable.
What had led her, in her trance, to visit my room? how had she ever
known where it was? What had she dreamt of doing here? and above all,
how had she contrived to enter through a bolted door with as much ease
as though she had been a spirit? Perhaps this was but a spirit--or a
phantom of my own brain! Was I awake?
"She stretched out her hand, not following its motion with her eyes, but
mechanically and as it were involuntarily. She laid it on my coat--on
the pocket which contained the diamonds. Then, slowly and deliberately,
and still with averted face and eyes, and that long-drawn, slumberous
breathing, she unbuttoned the fastenings one after one, and her soft
tapering fingers closed upon the case.
Public-domain text, read in full here on John Shaqi.
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