England -- Social life and customs -- 19th century -- Fiction; Married people -- Fiction; Mystery fiction
Mrs. Macallan approached the oil-lamp, and looked by its light at the
sheet of paper which the woman had given to her. I followed and
peeped over her shoulder without ceremony. The paper exhibited written
characters, traced in a wonderfully large and firm handwriting. Had I
caught the infection of madness in the air of the house? Or did I really
see before me these words?
“NOTICE.--My immense imagination is at work. Visions of heroes unroll
themselves before me. I reanimate in myself the spirits of the departed
great. My brains are boiling in my head. Any persons who disturb
me, under existing circumstances, will do it at the peril of their
lives.--DEXTER.”
Mrs. Macallan looked around at me quietly with her sardonic smile.
“Do you still persist in wanting to be introduced to him?” she asked.
The mockery in the tone of the question roused my pride. I determined
that I would not be the first to give way.
“Not if I am putting you in peril of your life, ma’am,” I answered,
pertly enough, pointing to the paper in her hand.
My mother-in-law returned to the hall table, and put the paper back on
it without condescending to reply. She then led the way to an arched
recess on our right hand, beyond which I dimly discerned a broad flight
of oaken stairs.
“Follow me,” said Mrs. Macallan, mounting the stairs in the dark. “I
know where to find him.”
We groped our way up the stairs to the first landing. The next flight of
steps, turning in the reverse direction, was faintly illuminated, like
the hall below, by one oil-lamp, placed in some invisible position above
us. Ascending the second flight of stairs and crossing a short corridor,
we discovered the lamp, through the open door of a quaintly shaped
circular room, burning on the mantel-piece. Its light illuminated a
strip of thick tapestry, hanging loose from the ceiling to the floor, on
the wall opposite to the door by which we had entered.
Mrs. Macallan drew aside the strip of tapestry, and, signing me to
follow her, passed behind it.
“Listen!” she whispered.
Standing on the inner side of the tapestry, I found myself in a dark
recess or passage, at the end of which a ray of light from the lamp
showed me a closed door. I listened, and heard on the other side of
the door a shouting voice, accompanied by an extraordinary rumbling
and whistling sound, traveling backward and forward, as well as I could
judge, over a great space. Now the rumbling and the whistling would
reach their climax of loudness, and would overcome the resonant notes of
the shouting voice. Then again those louder sounds gradually retreated
into distance, and the shouting voice made itself heard as the more
audible sound of the two. The door must have been of prodigious
solidity. Listen as intently as I might, I failed to catch the
articulate words (if any) which the voice was pronouncing, and I was
equally at a loss to penetrate the cause which produced the rumbling and
whistling sounds.
Public-domain text, read in full here on John Shaqi.
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