England -- Social life and customs -- 19th century -- Fiction; Married people -- Fiction; Mystery fiction
The same insatiable relish for horrors exhibited downstairs by the
pictures in the hall was displayed again here. The photographs hanging
on the wall represented the various forms of madness taken from the
life. The plaster casts ranged on the shelf opposite were casts (after
death) of the heads of famous murderers. A frightful little skeleton
of a woman hung in a cupboard, behind a glazed door, with this cynical
inscription placed above the skull: “Behold the scaffolding on which
beauty is built!” In a corresponding cupboard, with the door wide
open, there hung in loose folds a shirt (as I took it to be) of chamois
leather. Touching it (and finding it to be far softer than any chamois
leather that my fingers had ever felt before), I disarranged the folds,
and disclosed a ticket pinned among them, describing the thing in these
horrid lines: “Skin of a French Marquis, tanned in the Revolution of
Ninety-three. Who says the nobility are not good for something? They
make good leather.”
After this last specimen of my host’s taste in curiosities, I pursued
my investigation no further. I returned to my chair, and waited for the
truffles.
After a brief interval, the voice of the poet-painter-composer-and-cook
summoned me back to the alcove.
The gas was out. The stew-pan and its accompaniments had vanished. On
the marble slab were two plates, two napkins, two rolls of bread, and
a dish, with another napkin in it, on which reposed two quaint little
black balls. Miserrimus Dexter, regarding me with a smile of benevolent
interest, put one of the balls on my plate, and took the other himself.
“Compose yourself, Mrs. Valeria,” he said. “This is an epoch in your
life. Your first Truffle! Don’t touch it with the knife. Use the fork
alone. And--pardon me; this is most important--eat slowly.”
I followed my instructions, and assumed an enthusiasm which I honestly
confess I did not feel. I privately thought the new vegetable a great
deal too rich, and in other respects quite unworthy of the fuss that had
been made about it. Miserrimus Dexter lingered and languished over his
truffles, and sipped his wonderful Burgundy, and sang his own praises
as a cook until I was really almost mad with impatience to return to
the real object of my visit. In the reckless state of mind which this
feeling produced, I abruptly reminded my host that he was wasting our
time, by the most dangerous question that I could possibly put to him.
“Mr. Dexter,” I said, “have you seen anything lately of Mrs. Beauly?”
The easy sense of enjoyment expressed in his face left it at those rash
words, and went out like a suddenly extinguished light. That furtive
distrust of me which I had already noticed instantly made itself felt
again in his manner and in his voice.
“Do you know Mrs. Beauly?” he asked.
“I only know her,” I answered, “by what I have read of her in the
Trial.”
He was not satisfied with that reply.
Public-domain text, read in full here on John Shaqi.
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