England -- Social life and customs -- 19th century -- Fiction; Married people -- Fiction; Mystery fiction
The country around was pretty and well cultivated, and nothing more.
The park was, to an English eye, wild and badly kept. The house had been
built within the last seventy or eighty years. Outside, it was as bare
of all ornament as a factory, and as gloomily heavy in effect as a
prison. Inside, the deadly dreariness, the close, oppressive solitude
of a deserted dwelling wearied the eye and weighed on the mind, from the
roof to the basement. The house had been shut up since the time of the
Trial. A lonely old couple, man and wife, had the keys and the charge
of it. The man shook his head in silent and sorrowful disapproval of our
intrusion when Mr. Playmore ordered him to open the doors and shutters,
and let the light in on the dark, deserted place. Fires were burning
in the library and the picture-gallery, to preserve the treasures which
they contained from the damp. It was not easy, at first, to look at the
cheerful blaze without fancying that the inhabitants of the house must
surely come in and warm themselves. Ascending to the upper floor, I saw
the rooms made familiar to me by the Report of the Trial. I entered
the little study, with the old books on the shelves, and the key still
missing from the locked door of communication with the bedchamber.
I looked into the room in which the unhappy mistress of Gleninch had
suffered and died. The bed was left in its place; the sofa on which the
nurse had snatched her intervals of repose was at its foot; the Indian
cabinet, in which the crumpled paper with the grains of arsenic had been
found, still held its little collection of curiosities. I moved on its
pivot the invalid-table on which she had taken her meals and written her
poems, poor soul. The place was dreary and dreadful; the heavy air
felt as if it were still burdened with its horrid load of misery and
distrust. I was glad to get out (after a passing glance at the room
which Eustace had occupied in those days) into the Guests’ Corridor.
There was the bedroom, at the door of which Miserrimus Dexter had waited
and watched. There was the oaken floor along which he had hopped, in his
horrible way, following the footsteps of the servant disguised in her
mistress’s clothes. Go where I might, the ghosts of the dead and the
absent were with me, step by step. Go where I might, the lonely horror
of the house had its still and awful voice for Me: “_I_ keep the secret
of the Poison! _I_ hide the mystery of the death!”
The oppression of the place became unendurable. I longed for the pure
sky and the free air. My companion noticed and understood me.
“Come,” he said. “We have had enough of the house. Let us look at the
grounds.”
Public-domain text, read in full here on John Shaqi.
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