England -- Social life and customs -- 19th century -- Fiction; Married people -- Fiction; Mystery fiction
“Persons present in the vaulted chamber: Cunegonda and Damoride.
Cunegonda speaks. ‘Damoride!’ ‘Madam?’ ‘Who lies ill in the chamber
above us?’ ‘Madam, the noble lady Angelica.’ (A pause. Cunegonda speaks
again.) ‘Damoride!’ ‘Madam?’ ‘How does Angelica like you?’ ‘Madam, the
noble lady, sweet and good to all who approach her, is sweet and good to
me.’ ‘Have you attended on her, Damoride?’ ‘Sometimes, madam, when the
nurse was weary.’ ‘Has she taken her healing medicine from your hand.’
‘Once or twice, madam, when I happened to be by.’ ‘Damoride, take this
key and open the casket on the table there.’ (Damoride obeys.) ‘Do
you see a green vial in the casket?’ ‘I see it, madam.’ ‘Take it out.’
(Damoride obeys.) ‘Do you see a liquid in the green vial? can you
guess what it is?’ ‘No, madam.’ ‘Shall I tell you?’ (Damoride bows
respectfully ) ‘Poison is in the vial.’ (Damoride starts; she shrinks
from the poison; she would fain put it aside. Her mistress signs to her
to keep it in her hand; her mistress speaks.) ‘Damoride, I have told you
one of my secrets; shall I tell you another?’ (Damoride waits, fearing
what is to come. Her mistress speaks.) ‘I hate the Lady Angelica. Her
life stands between me and the joy of my heart. You hold her life in
your hand.’ (Damoride drops on her knees; she is a devout person;
she crosses herself, and then she speaks.) ‘Mistress, you terrify me.
Mistress, what do I hear?’ (Cunegonda advances, stands over her, looks
down on her with terrible eyes, whispers the next words.) ‘Damoride! the
Lady Angelica must die--and I must not be suspected. The Lady Angelica
must die--and by your hand.’”
He paused again. To sip the wine once more? No; to drink a deep draught
of it this time.
Was the stimulant beginning to fail him already?
I looked at him attentively as he laid himself back again in his chair
to consider for a moment before he went on.
The flush on his face was as deep as ever; but the brightness in his
eyes was beginning to fade already. I had noticed that he spoke more and
more slowly as he advanced to the later dialogue of the scene. Was he
feeling the effort of invention already? Had the time come when the wine
had done all that the wine could do for him?
We waited. Ariel sat watching him with vacantly staring eyes and
vacantly open mouth. Ben jamin, impenetrably expecting the signal, kept
his open note-book on his knee, covered by his hand. Miserrimus Dexter
went on:
Public-domain text, read in full here on John Shaqi.
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