The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
578. _Harmony between masses distant from each other_, in which
harmonies may be established by the same general means as they are
between neighbouring masses. The foliage in the masses being much more
abundant than the flowers, the shades of their greens will not differ
so much from each other as the colours of their flowers; consequently,
the distant masses, however varied in their foliage, are always in
harmony of form and colour, if they have been planted according to
our rules; and if they are composed solely of ligneous plants, which
lose their leaves in winter, or solely of evergreens, which do not
lose them; but in the opposite case, that is to say, when the masses
are formed, the one of deciduous trees, and the other of evergreens,
some remarks must be made relative to the conditions of harmony, which
are the more necessary, as even the most studied landscape gardens
generally err in this respect; for a clump or a mass of evergreens is
almost always out of keeping in a large space where masses of deciduous
trees are found. To remedy this defect we must multiply the groups
or masses of evergreens, so as to establish between all of them this
same correlation which is required by deciduous trees; but it is not
necessary that the trees should occupy a space equal to that occupied
by ordinary trees; it is sufficient if their forms recur at suitable
intervals. In a word, for evergreens to produce a good effect, they
must compose a whole, which unites or intercalates with the general
effect of the masses of deciduous trees.
We may oppose allspice trees to pines, cedars to larches; different
groups, composed of three or four trees only, suffice to harmonize a
large space of ground occupied with two or three groups composed of
half a hundred similar trees.
579. _There are certain cases in which the want of either perspective
or harmony requires, in a large mass, a line of trees which is neither
concentric with its circumference, nor identical with the central line,
if there be one; such, for example, as the line P. R., which is found
in the masses 1 and 2_ (Pl. 18); _for if the planting of this line be
correct, and according to the preceding principles, the trunks, which
define it, beyond the concentric plantings, must be in the points
of intersection of the line P. R., with the concentric lines, and
the central line, if there be one; and the trunks must be as much as
possible at equal distances from each other._
Such a plan, always easy to make, will enable a landowner, when once
his masses are planned, their concentric lines traced, and the species
to be planted determined upon, to order from the nurseryman the exact
number of each species he requires.
Public-domain text, read in full here on John Shaqi.
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