The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
Repetition of the same arrangement of plants of various kinds, and of
course distinct to view, contributes greatly to prolong the extent
either of an alley or of a mass; a similar general effect repeated
a certain number of times becomes a standard, by means of which
the eye judges the space to be greater than if it were bordered
with individuals of the same species or variety equal in number
to the former. This effect is carried to the utmost extent when
the arrangement is composed of a certain number of tufts—five, for
instance—placed between two trees, which rise above them, but not too
high.
Repetition and distinctness of view concur in producing an agreeable
effect.
583. _Variety_, like every other principle, should never be carried too
far, and it is a great mistake to suppose that plantations made without
design, and which thus it might seem must be extremely diversified,
produce in this respect more effect than those which have been arranged
according to the principles of distinct view, contrast, and repetition.
Whenever objects must have a certain superficial extent, we gain
nothing by multiplying varieties of them. Thus, the repetition of an
arrangement of three colours, including white or black, will generally
be more agreeable than that of an arrangement of five colours.
Diversity of colours, pushed to the extreme, can only be permitted
in a continuous border, or a bed of different varieties of the same
species of flowers, as a border of larkspur, china aster, or anemones;
but, for flowering shrubs, we shall gain everything by not indefinitely
multiplying their colour, in a view which the eye can embrace at once.
And as with colours so with forms, which must not be too diversified in
the same arrangement.
_Symmetry._
584. We should deceive ourselves very much if we supposed the principle
of symmetry to be excluded from landscape gardening. But, in order
to perceive it or to put in practice, it is necessary to distinguish
the _symmetry of similar parts_, and _the symmetry of parts merely
corresponding_.
The former is that of two equal parts of one whole, as the two halves
of a circle, of a square, of an equilateral or isosoceles triangle,
&c.; while
_Symmetry of parts merely corresponding_, is that of two parts of the
same whole, which, without being equal, have the same form, or nearly
so; such are the two triangular parts of the Mass 3, Plate 18.
Or, that of two separate parts, more or less analogous in form, extent,
or nature, which have a correspondence of position relatively to an
intermediate object.
Or, that of two masses or groups of trees, or of a mass and a group of
trees which are presented, the one to the left, the other to the right.
_General Harmony._
Public-domain text, read in full here on John Shaqi.
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