The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
589. I entered upon this study, not having spontaneously chosen it, but
because it appeared to me indispensable before pretending to establish
a sound judgment on the beauty of the dyer’s colours. As soon as I felt
the necessity for this study, in my capacity of Director of the Dyeing
Department of the Royal Manufactories, my first care was to discover
whether I saw colours as the generality of persons see them. I was soon
perfectly convinced that I did, and not till then did I venture to make
my researches the subjects of public lectures. These have been repeated
before the students of the Polytechnic School. Certain questions
addressed to my auditors to satisfy me that they saw the things I put
before their eyes as I saw them myself, have, in the majority of cases,
always proved them to be so, and yet my demonstrations were given
in the reception-hall at the Gobelins,—a place ill adapted for the
exhibition of the phenomena of contrast to a large audience. Certain
observations by myself, tested by a great number of persons in my
laboratory, and afterwards publicly exhibited, form the subject of this
book; all who repeat my experiments will discover whether my opinion is
well-founded, or whether an opinion is correct which pretends that the
sight of colours is not capable of giving a general positive result.
Because some individuals have organs of sight so imperfect that they
cannot distinguish green from red, or blue from grey, &c., must we
write our treatises on optics without mentioning either red, green, or
blue, and cast away these colours from the palette? Assuredly human
nature is too limited to allow of our making such a sacrifice of our
common organization to the infirmity of an individual.
590. In order to comprehend clearly how experiment and observation,
after having disentangled the causes which exercise a determinate
influence upon the sight of colours, led me to adopt the opinion that
these phenomena are perfectly defined by the law of contrast and the
conclusions therefrom, doubtless it will suffice to consider how
1. Our former ignorance respecting the different states of the eye,
which, in seeing colours, give rise to the phenomena of simultaneous,
successive, and mixed contrasts.
And our former ignorance respecting the definite influence that the
direct or diffused light of the sun exercises, according to its
intensity, upon the colours of bodies, have led to the establishment of
an opinion contrary to my own;—that is to say, the opinion that _the
same colour appears so diversely to different persons, and even to the
same person, that nothing general or precise can be deduced from the
sight of coloured objects, with regard to their respective colours_.
2. To consider how the following have passively contributed to belief
in this opinion.
The limited number of ideas we have generally about the modifications
of coloured bodies, by their mutual mixtures; or in other terms, upon
the colours resulting from these mixtures.
Public-domain text, read in full here on John Shaqi.
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