The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
205. 1. _Red, Yellow_, &c. 2. _Black, Red, Yellow, Black_. 3. _Black,
Red, Black, Yellow, Black_, &c. The two last arrangements appear
to me superior to the first, and many persons would prefer them to
the arrangement in which _white_ replaces _black_. I cannot too
strongly recommend the arrangement 2 and 3 to artists, for whom these
observations are especially designed.
206. 1. _Red, Blue_, &c. 2. _Black, Red, Blue, Black_. 3. _Black, Red,
Black, Blue, Black_, &c. No. 2 is preferable to No. 3, because there
are too many sombre colours in the latter, and because these differ too
much from the _red_. The effect of _black_ upon the binary arrangement,
_red_ and _blue_, is inferior to that of _white_.
207. 1. _Red, Violet_, &c. 2. _Black, Red, Violet, Black_, &c. 3.
_Black, Red, Black, Violet, Black_, &c. The _red_ and _violet_ injure
each other, it is therefore advantageous to separate them by _black_;
but the latter does not produce so good an effect as _white_. It is
difficult to say whether No. 3 is preferable to 2; because, if there be
in the latter _red_ near _violet_, this defect is more than compensated
in 3, by the predominance of sombre colours over the _red_.
208. 1. _Orange-Yellow_, &c. 2. _Black, Orange-Yellow_, &c. 3. _Black,
Orange, Black, Yellow, Black_, &c. The _orange_ and _yellow_ being
very luminous, the _black_ allies itself to them very well in the
arrangement 2 and 3; and if the arrangement, _white, orange, yellow,
white_, be preferred to No. 2, I think that in the arrangement 3, the
_black_ produces a superior effect to the _white_.
209. 1. _Orange, Green_, &c. 2. _Black, Orange, Green_, &c. 3. _Black,
Orange, Black, Green, Black_, &c. _Black_ combines well with _orange_,
and with _bright green_. In like manner it combines well with _orange_
and _yellow_. If, in the arrangement 2, _white_ be preferred to _black_,
I think it cannot be in 3. I recommend to artists the combination of
_black_ with the binary arrangements _orange_ and _yellow, orange_ and
_green_.
210. 1. _Orange, Violet_, &c. 2. _Black, Orange, Violet, Black_, &c. 3.
_Black, Orange, Black, Violet, Black_, &c. _Black_ does not combine so
well as _white_ with _orange_ and _violet_, because the proportion of
dark colours relatively to _orange_, a very vivid colour, is too great.
211. 1. _Yellow, Bright Green_, &c. 2. _Black, Yellow, Green, Black_,
&c. 3. _Black, Yellow, Black, Green, Black_, &c. _Yellow_ and _light
green_ being luminous colours, _black_ combines very well with them;
and if in the arrangement 2 the effect of _white_ be preferred to that
of _black_, I think that it cannot be in the arrangement 3.
212. 1. _Yellow, Blue_, &c. 2. _Black, Yellow, Blue, Black_, &c. 3.
_Black, Yellow, Black, Blue, Black_, &c. If the arrangement 2 be
preferable to 3, I think it inferior to 1. The _black_ does not appear
to combine so well as the white in the group _yellow_ and _blue_.
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