The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
371. At a certain calico-printer’s a recipe for printing green had
always succeeded up to a certain period, when it began to give bad
results. They were lost in conjectures upon the cause, when a person,
who at the Gobelins had followed my researches on contrast, recognised
that the green of which they complained, being printed on a ground
of blue, inclined to yellow through the influence of orange, the
complementary of the ground. She therefore advised that the proportion
of blue in the colouring composition should be increased in order to
correct the effect of contrast. The recipe, modified according to this
suggestion, gave the beautiful green which they had obtained formerly.
372. Thus every recipe for colours to be applied upon a ground of
another colour, must be modified conformably to the effect which the
ground will produce. It is this great facility in correcting the
ill effect of certain contrasts which explains why they so often
succeed without being able to account for it. Here, notwithstanding
their colour, the eye judges them to be colourless, or of the tint
complementary to that of the ground. These appearances have been the
subject of questions frequently addressed to me by the manufacturers
of printed stuffs, and by drapers: they are due to the _law of
simultaneous contrast of colours_. In fact, when the patterns appear
white, the ground acts by contrast of tone (9); if they appear
coloured (and this appearance generally succeeds to that where they
appear white), the ground then acts by contrast of colour (13). The
manufacturer of printed stuffs therefore will not seek to attribute
the cause of these phenomena to the chemical actions in his operations.
373. Ignorance of the law of contrast has, among drapers and
manufacturers, been the subject of many disputes, which I have been
happy to settle amicably, by demonstrating to the parties that they had
no possible cause for litigation in the cases they submitted to me. I
will relate some of these, to prevent similar disputes.
Certain drapers gave to a calico-printer some cloths of single colours,
red, violet, and blue, upon which they wished black figures to be
printed. They complained that upon the _red_ cloths he had put _green_
patterns; upon the _violet_, the figures appeared _greenish-yellow_;
upon the _blue_, they were _orange-brown_ or _copper_-coloured—instead
of the _black_ which had been ordered. To convince them that they had
no ground for complaint, it sufficed to have recourse to the following
proofs:—
1. I surrounded the patterns with white paper, so as to
conceal the ground; the designs then appeared black.
2. I placed some cuttings of black cloth upon stuffs
coloured red, violet, and blue; the cuttings
appeared like the printed designs, _i. e._, of
the colour complementary to the ground, although
the same cuttings, when placed upon a white ground,
were of a beautiful black.
Public-domain text, read in full here on John Shaqi.
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