The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.Chevreul, M. E. (Michel Eugène)
Science
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
Chevreul, M. E. (Michel Eugène)
Color
2. Of the very different manner in which not only
different people, but even the same person, will
judge of the colours of a more or less complex pattern,
having a certain number of colours, according to the
attention the spectator gives at a certain moment to
different parts (407).
423. Our examination of the border of roses with their leaves (No. 3),
and especially of that of the border of flowers varied in their forms
and hues (No. 4), shows the necessity of a knowledge of the law of
contrast to assort the colours of objects represented upon a border
with the colour which serves as a ground to them. The examination of
the border No. 4 has demonstrated experimentally that this assortment
presents so much the more difficulty as we wish to have purer tints for
the ground, and more varied colours in the objects we intend placing on
it; besides, in demonstrating the good effect of grey as a ground for
these latter objects, it has furnished an example of a fact which may
be deduced from the law, and which is in perfect accordance with what
practice taught us long ago.
PRINTED OR WRITTEN CHARACTERS ON PAPERS OF DIFFERENT COLOURS.
424. Having made it a rule in this work never to state any observations
which I have not myself verified, I must mention that, not possessing
every requisite for the examination of the subject of this section, I
am obliged to develop certain points of it only.
We must regard—
1. The duration of the reading, and
2. The kind of light which illuminates the printed or written paper.
A.—INFLUENCE OF DURATION IN THE READING.
425. From the different conditions in which the eyei s found when it
is apt to perceive the phenomena of simultaneous, successive, and
mixed contrasts of colours (77 _et seq._), it may be conceived that
in order to judge of the effect upon the sight of the assortments of
the colour of the letters and that of the paper as to the degree of
facility that they respectively present for reading, it may happen that
one assortment will be more favourable during a brief reading, while
the contrary will take place if the reading be prolonged during several
hours. Besides, an assortment presenting the greatest contrast will be
more favourable to a reading of short duration, while it will be less
so to a prolonged reading; because, in consequence of the intensity of
its contrast, it will fatigue the eye more.[2]
[2] Hence the pleasure of reading books printed on the modern _toned_
paper. De Morgan advises that tables of logarithms, and the like,
should be printed on pale brown paper.
B.—INFLUENCE OF THE KIND OF LIGHT ON PRINTED OR WRITTEN PAPER.
Public-domain text, read in full here on John Shaqi.
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