Even on ordinary holidays the American workman, bitten as he is with the
eager habitude of labor, more often than not some time during the day
finds himself close to the place where at other times he is employed.
There his thoughts are: thither his steps all unconsciously bend
themselves. So now, in this melancholy, indefinite holiday which
November had brought to Thessaly, the idlers instinctively hung about
the deserted works. The tall, smokeless chimneys, the locked gates,
the grimy windows--through which the huge dark forms of the motionless
machines showed dimly, like the fossils of extinct monsters in a
museum--the dreary stretches of cinder heaps and blackened waste
which surrounded the silent buildings--all these had a cruel kind of
fascination for the dispossessed toilers.
They came each day and stood lazily about in groups: they smoked in
taciturnity, told sardonic stories, or discussed their grievance, each
according to his mood; but they kept their eyes on the furnaces and
mills whence wages came no more and where all was still. There was
something in it akin in pathos to the visits a mother pays to the
graveyard where her child lies hidden from sight under the grass and the
flowers. It was the tomb of their daily avocation that these men came to
look at.
But, as time went on, there grew to be less and less of the pathetic
in what these men thought and said. The sense of having been wronged
swelled within them until there was room for nothing but wrath. In a
general way they understood that a trust had done this thing to them.
But that was too vague and far-off an object for specific cursing. The
Minster women were nearer home, and it was quite clear that they were
the beneficiaries of the trust’s action. There were various stories told
about the vast sum which these greedy women had been paid by the trust
for shutting down their furnaces and stopping the output of iron ore
from their fields, and as days succeeded one another this sum steadily
magnified itself.
Public-domain text, read in full here on John Shaqi.
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