The Lay of Marie and Vignettes in VerseBetham, Matilda
General
The Lay of Marie and Vignettes in Verse
Betham, Matilda
Marie, de France, active 12th century -- Poetry; Women poets -- Poetry
was with these two, as with the _chevrefoil_ and the _codre._ When the
honey-suckle has caught hold of the _codre_, and encircled it by its
embraces, the two will live together and flourish; but if any one
resolves to sever them, the _codre_ suddenly dies, and the honey-suckle
with it. Sweet friend, so it is with us; I cannot live without you, nor
you without me."
The queen slowly riding on, perceives the stick, and recognizes the
well-known characters. She orders the knights who accompany her to stop.
She is tired; she will get off her horse for a short time, and take some
repose. She calls to her only her maid, her faithful Brenguein; quits
the road, plunges into the thickest part of the forest, and finds him
whom she loved more than all the world. Both were delighted beyond
measure at this meeting, which gives them full leisure to concert their
future projects. She tells him, that he may now be easily reconciled to
his uncle. That the king has often regretted his absence, and
attributes to the malicious accusations of their common enemies, the
severe measure of his banishment. After a long conversation, the queen
tears herself from him; and they separate with mutual grief. Tristrem
returned to South-Wales, from whence he was soon recalled by his uncle;
but, in the mean time, he had repeated to himself, over and over again,
every word of his mistress's late conversation; and, while full of the
joy he felt at having seen her, he composed (being a perfect master of
the lays) a new lay, describing his stratagem, its success, his delight,
and the very words uttered by the queen. I will tell you the name of
this lay it is called _Goat-leaf_ in English, and _Chevre-foil_ in
French. I have now told you the whole truth.[82]
FOOTNOTES:
[81] Marie, who drew all her materials from Bretagne, probably
refers to some Armorican edition, of the history of these ill-fated
lovers.
[82] From this, which forms no part of the Sir Tristrem of
Thomas, the Rhymer, it is evident that the same tale was popular in
France, at least thirty years before the probable date of that work.
No. XII.--ELIDUC.
This is stated to be a _very_ old Breton lay. Its original title was
"Guildeluec ha Gualadun," from the names of the two heroines; but it was
afterwards more commonly stiled, The Lay of Eliduc.
Public-domain text, read in full here on John Shaqi.
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