This is a flower of fire, the worshiper of the sun, the very heart of
the summer. How impossible it would be to kindle a wood-lily on the
cold, damp soil of April! It can be lighted only on this kiln-dried
soil of July. This old hilly pasture is baking in the sun; the mouldy
moss that creeps over its thin breast crackles and crumbles under my
feet; the patches of sweet-fern that blotch it here and there crisp
in the heat and fill the smothered air with a spicy breath; but the
wood-lily opens wide and full, lifting its spotted lips to the Sun, for
it loves his scorching kiss. See it glow! Should the withered thicket
burst suddenly into a blaze it would be no wonder, so little would it
take to fan these glowing petals into flame.
The marsh marigolds of May spread the meadows with a glow of warmth,
yet that was but a gilded fire beside the wilting, withering heat of
this midsummer lily. That early flush has gone. There is hardly a
fleck of spring’s freshness and delicacy on the fields, none of the
tenderness of the bluets that touched everything in May, none even
of the softness of the hardwood greens that lasted far into June.
The colors are set now, dry and glistening, as if varnished over.
The odors, too, have changed. They were moist and faint then,—the
fragrance of the breath of things. Now they are strong, pungent,
heavy,—the tried out smells of the sweat of things.
Life has grown lusty and lazy and rank. It stood no higher than the
heads of the violets along my little river at the coming of June;
to-day I cannot catch a glimpse of the water without breaking through a
hedge of swamp milkweed, boneset, and peppermint. Here are turtle-head,
joe-pye-weed, jewel-weed, the budding goldenrods, and the spreading,
choking, rasping smartweed. The year is full grown. It is strong, rich,
luxuriant.
And how erect and unblushing! The pointed spireas, the sumacs, the
thistles, this crowd along the river, this red wood-lily, even the tall
swaying spray of meadow-rue! Slender, dainty, airy, the meadow-rue
falls just short of grace and delicacy. It feels the season’s pride of
life. It is angled, rigid, rank. Were there the slightest bend to its
branches, the merest suggestion of soul to the plant, then, from root
to spreading panicles, there had been more grace, more misty, penciled
delicacy wrought into the tall meadow-rue than into any flower-form of
my summer.
But the suggestion of soul in the meadow-rue, as in the whole face
of nature, is lost in flesh. It is the body, not the spirit, that
is now present. She is well fed, well clothed, opulent, mature. She
is conventional,—as conventional as a single, stiff spire of the
steeple-bush,—turned to such a pointed nicety as to seem done by
machine.
Public-domain text, read in full here on John Shaqi.
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