Phœbe is altogether more than his surroundings. Every time I go to feed
the pig, he lights upon a post near by and says to me: “It’s what you
are! Not what you do, but how you do it!”—with a launch into the air,
a whirl, an unerring snap at a cabbage butterfly, and an easy drop to
the post again, by way of illustration. “Not where you live, but how
you live there; not the feathers you wear, but how you wear them,—it
is what you are that counts!”
There is a difference between being a “character” and having one. “Jim”
Crow is a character, largely because he has so little. That is why he
is “Jim.” My phœbe lives over the pig, but he has no nickname like the
crow. I cannot feel familiar with a bird of his air and carriage, who
faces the world so squarely, who settles upon a stake as if he owned
it, who lives a prince in my pig-pen.
Look at him! How alert, able, free! Notice the limber drop of his tail,
the ready energy it suggests. By that one sign you would know the bird
had force. He is afraid of nothing, not even the cold, and he migrates
only because he is a flycatcher, and is thus compelled to. The earliest
spring day, however, that you find the flies buzzing in the sun, look
for phœbe. He is back. The first of my birds to return in the spring
is he, often beating the bluebird and robin by almost a week. It was a
fearful spring, the spring of 1904. How phœbe managed to exist those
miserable March days is a mystery. He came directly to the pen, as he
had come the year before, and his presence in that bleakest of Marches
made it almost spring.
The same force and promptness are manifest in the domestic affairs of
the bird. The first to arrive that spring, he was also the first to
build and bring off a brood,—or, perhaps, _She_ was. And the size of
the brood—of the broods, for the second one is now a-wing, and there
may yet be a third!
Phœbe appeared without his mate, and for nearly three weeks he hunted
in the vicinity of the pen, calling the day long, and, toward the end
of the second week, occasionally soaring into the air, flapping and
pouring forth a small, ecstatic song that seemed fairly forced from him.
These aerial bursts meant just one thing: _she_ was coming, was coming
soon! Was she coming, or was he getting ready to go for her? Here he
had been for nearly three weeks, his house-lot chosen, his mind at
rest, his heart beating faster with every sunrise. It was as plain as
day that he knew—was certain—just how and just when something lovely
was going to happen. I wished I knew. I was half in love with her
myself, half jealous of him, and I, too, watched for her.
Public-domain text, read in full here on John Shaqi.
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