Epic poetry, German -- Translations into English; Nibelungen -- Poetry
[5]
The differences in the names in the two stories are mainly due to the
fact that in the Volsunga-saga they assume a Norse form, in the
_Nibelungenlied_ a German one. Thus, _Sigurd_ becomes _Siegfried_;
_Gunnar_ becomes _Gunther_; _Hogni_, Gunnar's brother, becomes
_Hagen_, Gunther's uncle; _Gudrun_, as a character, becomes
_Kriemhild_, whose name, however, is taken from _Grimhild_, a very
different personage from the kindly and pious mother of Kriemhild.
The Hun-king, _Atli_, becomes _Etzel_; _Andvari_, the dwarf who was
robbed of the Hoard, appears as _Alberich_.
[6]
An example of such is the _Gehörnte Siegfried_ (Horn-skinned
Siegfried), which did this in detail, and (in Carlyle's words) "under
a rude prose dress, is to this day a real child's book and people's
book among the Germans."
[7]
Siegfried's reason, which critics and translators, from Carlyle
downward, have left unexplained, seems to be this:--Siegfried was
already known to Brunhild, and was the mightiest man she knew. Hence,
if she saw him acting as a mere vassal to Gunther, she would infer
that the latter was yet mightier, an impression to be confirmed by
his apparent victory in the test; and so her reluctance to abide by
the result, which, had she resisted, would have proved insuperable,
would be more likely to be overcome.
[8]
One rider dashing at full speed past another, would snatch his cloak
from his shoulders: the latter then gave chase to recover his
property. Opportunity for display of fine horsemanship, and much
amusement to the spectators, were thus afforded.
[9]
The scene which follows will be more intelligible if we understand
that it took place in the Reception-hall or Presence-hall, through
which Brunhild passes with her train while the king is waiting there
for his sister.
[10]
For the six lines which follow, Simrock's reading is adopted.
[11]
For this and the next line Simrock's text is followed.
[12]
Because Hildebrand had been Dietrich's foster-father.
[13]
Simrock's arrangement is adopted in the last two strophes.
[End of Footnotes]
TRANSCRIBER'S NOTES
Alterations to the text:
A few puctuation corrections.
Change two instances (p. 83 & 155) of _Dankrat_ to _Dankart_.
[P. 240] Change "Alone across the _baily_..." to _bailey_.
Note: the inconsistent spelling of Albrich/Alberich has been left
as-is.
[End of Book]
End of Project Gutenberg's The Lay of the Nibelung Men, by Anonymous
Public-domain text, read in full here on John Shaqi.
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