The young man, in the presence of his friends and kindred, then made oath to be loyal to the King, to defend religion, and to be the champion of every lady in danger or distress. Next, a high-born dame or great warrior buckled on his spurs, and girded the sword, which he priest had blessed, to his side. This done, he knelt to the prince or noble who was to perform the final ceremony. The prince struck him lightly on the shoulder with the flat of the sword, saying: "In the name of God, St. Michael,[2] and St. George [the patron saint of England], I dub thee knight. Be brave, hardy, and loyal." [2] St. Michael, as representative of the triumphant power of good over evil. Then the young cavalier leaped into the saddle and galloped up and down, brandishing his weapon in token of strength and skill. In case a knight proved false to his oaths, he was publicly degraded. His spurs were taken from him, his shield was reversed, his armor broken to pieces, and a sermon preached upon him in the neighboring church, proclaiming him dead to the order. IV. Literature, Learning, and Art 154. Education; Use of Seals or Stamps. The leaning of this period was confined almost wholly to the clergy. Whatever schools existed were connected with the monasteries and nunneries. Oxford had begun to be regarded as a seat of leaning (1120). The instruction was given by priests, though some noted Jewish scholars may have had pupils there. Very few books were written during this period. Generally speaking, the nobility considered fighting the great business of life and cared nothing for education. They thought that reading and writing were beneath their dignity, and left such accomplishments to monks, priests, and lawyers. For this reason seals or stamps having some device or signature engraved on them came to be used on all papers of importance. 155. Historical Works; the Bayeux Tapestry. The chief books written in England under the Norman kings were histories. Of these the most noteworthy were the continuation of the "Anglo-Saxon Chronicle" in English (S99) and the chronicles of William of Malmesbury and Henry of Huntingdon in Latin.[1] William's book and the "Saxon Chronicle" still continue to be of great importance to students of this period. Mention has already been made of the Bayeux Tapestry (S75), a history of the Norman Conquest worked in colored worsteds, on a long strip of narrow canvas. [1] Geoffrey of Monmouth's "History of the Britons" belongs to this period. It abounds in romances about King Arthur. Tennyson based his "Idylls of the King" on it.