Poor -- New York (State) -- New York; Social settlements
The writer was present at a funeral in an East Side home in a tenement
having sixteen families. A wife and mother had died. The family occupied
the floor through. Nothing was known to the writer of the creed of the
family, though she had known them for years. The minister came in a
spotless surplice, most carefully put on. His manner of greeting the family
and friends was so expressive of fraternal sympathy that one felt it a
privilege to witness it. He stood in that East Side home the herald of
hope. Since the blow had fallen he had visited it every day. On the day of
the funeral he had so filled the hearts in that home with the spirit of
resignation that the lesson that it taught left an impress on all who were
present. Not once in the earnest address did he use the word "death." It
was "release," and he made all feel that gratitude for relief from cruel
suffering was the occasion for the assembling of the friends together. He
gave out the hymn "Nearer, My God, to Thee." There was no musical
instrument in the home. All present were wage-earners. The writer trembled
for the result. The minister's beautiful tenor voice started the hymn,
assisted at once by boys' voices in the different rooms. He had brought the
choir of his church to assist, and stationed them through the rooms by
direction before they came to the house. The people all sang. When the
services were over, this minister remained with the family, a courtesy
which to the poor is so unusual that the memory of it is still one of the
events of life on the East Side.
[Illustration: A SPIRITUAL BULWARK.]
This represents this clergyman's attitude toward his people; and all who
are their friends are his people. Is it any wonder that they never go
beyond his care? He has baptized the children of three generations. Easter
service is the home-coming of these families. They come from as far as they
have money to pay their fare. The gray stone church is pretty. It has
stained-glass windows, a baptistry, and maintains a surpliced choir. It is
delightful to see the positive influence of these accessories on the
people. Other churches to which they have access lack them, and the
contrast deepens the love for the old church. It needs renovating, a parish
house, a corps of modern workers. But these can well be dispensed with
while that towering gray head leads the people. For the noble, unselfish
life of the man stands before them always, the embodiment of eternal love
and sympathy, interpreting both under conditions that would at times seem
to justify doubt.
Public-domain text, read in full here on John Shaqi.
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