They left the boarding-house, because Rhoda was tired of the boarders
and wanted a little place to themselves. Peter, who didn't really care,
but who would have rather liked to stay and be with Peggy and Hilary,
pretended that he too wanted a little place to themselves. So they took
lodgings in Greville Street, which runs out of Brook Street. Rhoda gave
up her work and settled down to keep house and do needlework. They kept
a canary in the sitting-room, and a kitten with a blue bow, and Rhoda
took to wearing blue bows in her own hair, and sewed all the buttons on
her frocks and darned her gloves and stockings and Peter's socks, and
devoted herself to household economy, a subject in which her mother had
always tried to interest her without success. Rhoda thought it a great
relief to have escaped from the tiresome boarders who chattered so about
things they knew nothing about, and from her own daily drudgery, that had
tired her back. (She had been a typist.) It was nice to be able to sit at
peace with one's needlework and one's own reflections, and have Peter,
who was always kind and friendly and cheerful, to brighten breakfast and
leave her in peace during the day and come in again to brighten the
evening. Peter's chatter didn't worry her, though she often thought it
childish and singularly inconsequent; Peter, of course, was only a boy,
though such a dear, kind, affectionate boy. He would spend his evenings
teasing the kitten and retying the blue bow, or lying on the rug before
the fire, talking nonsense which made Rhoda laugh even when she was
feeling low. Sometimes they would go to Brook Street and spend the
evening there; and often Hilary would drop in and smoke with Peter;
only Rhoda didn't much care for these evenings, for she never felt at
ease with Hilary, who wasn't at ease with her either. The uncultured
young creatures of either sex never quite knew where they were with the
aesthetic Hilary; at any moment they might tread heavily on his sensitive
susceptibilities and make him wince visibly, and no one likes being
winced at. Rhoda in particular was very sensitive; she thought Hilary
ill-mannered and conceited, and vaguely resented his attitude towards her
without understanding it, for (now that she was removed from the crushing
influence of a person who had always ruthlessly shown her her limitations
and follies) she didn't think of herself as uncultured, she with her
poetical and artistic tastes, sharpened and refined by contact with the
culture of Guy Vyvian and broadened by acquaintance with the art of
foreign cities. On the contrary, she felt in herself yearnings for a
fuller and freer life of beauty and grace. She wasn't sure that Peter
ever felt such yearnings; he seemed quite contented with the ugly rooms
in the ugly street, and the dingy lace curtains and impossible pictures;
he could make a joke of it all; and things one could make a joke of
couldn't really hurt, thought Rhoda.
Public-domain text, read in full here on John Shaqi.
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