The Legacy of Greece: Essays By: Gilbert Murray, W. R. Inge, J. Burnet, Sir T. L. Heath, D'arcy W. Thompson, Charles Singer, R. W. Livingston, A. Toynbee, A. E. Zimmern, Percy Gardner, Sir Reginald Blomfield
Philosophy
The Legacy of Greece: Essays By: Gilbert Murray, W. R. Inge, J. Burnet, Sir T. L. Heath, D'arcy W. Thompson, Charles Singer, R. W. Livingston, A. Toynbee, A. E. Zimmern, Percy Gardner, Sir Reginald Blomfield
Greece -- Civilization
He also wrote a book _On Polygonal Numbers_ of which only a fragment
survives.
With Pappus and Diophantus the list of original writers on mathematics
comes to an end. After them came the commentators whose names only can
be mentioned here. Theon of Alexandria, the editor of Euclid, lived
towards the end of the fourth century A. D. To the fifth and sixth
centuries belong Proclus, Simplicius, and Eutocius, to whom we can never
be grateful enough for the precious fragments which they have preserved
from works now lost, and particularly the _History of Geometry_ and the
_History of Astronomy_ by Aristotle's pupil Eudemus.
Such is the story of Greek mathematical science. If anything could
enhance the marvel of it, it would be the consideration of the shortness
of the time (about 350 years) within which the Greeks, starting from the
very beginning, brought geometry to the point of performing operations
equivalent to the integral calculus and, in the realm of astronomy,
actually anticipated Copernicus.
T. L. HEATH.
NATURAL SCIENCE
_Aristotle_
There is a little essay of Goethe's called, simply, _Die Natur_. It
comes among those tracts on Natural Science in which the poet and
philosopher turned his restless mind to problems of light and colour, of
leaf and flower, of bony skull and kindred vertebra; and it sounds like
a prose-poem, a noble paean, eulogizing the love and glorifying the
study of Nature. Some twenty-five hundred years before, Anaximander had
written a book with the same title, _Concerning Nature_, περι φυσεως
{peri physeôs}: but its subject was not the same. It was a variant of
the old traditional cosmogonies. It told of how in the beginning the
earth was without form and void. It sought to trace all things back to
the Infinite, το απειρον {to apeiron}--to That which knows no bounds of
space or time but is before all worlds, and to whose bosom again all
things, all worlds, return. For Goethe Nature meant the beauty, the all
but sensuous beauty of the world; for the older philosopher it was the
mystery of the Creative Spirit.
Public-domain text, read in full here on John Shaqi.
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