The Legacy of Greece: Essays By: Gilbert Murray, W. R. Inge, J. Burnet, Sir T. L. Heath, D'arcy W. Thompson, Charles Singer, R. W. Livingston, A. Toynbee, A. E. Zimmern, Percy Gardner, Sir Reginald Blomfield
Philosophy
The Legacy of Greece: Essays By: Gilbert Murray, W. R. Inge, J. Burnet, Sir T. L. Heath, D'arcy W. Thompson, Charles Singer, R. W. Livingston, A. Toynbee, A. E. Zimmern, Percy Gardner, Sir Reginald Blomfield
Greece -- Civilization
_Ancient Greek Civilization as a Work of Art_
Civilizations are the greatest and the rarest achievements of human
society. Innumerable societies have been coming into being and perishing
during many hundreds of thousands of years, and hardly any of them have
created civilizations. One can count the civilizations on one's fingers.
We have had perhaps three in Europe: the Minoan in the Aegean Islands
(the dates 4000-1100 B. C. roughly cover its history); the Greek or
Graeco-Roman round the coasts of the Mediterranean (its history extends
between the eleventh century B. C. and the seventh century A. D.); and
our modern Western civilization round the coasts of the Atlantic, which
began to emerge from twilight in the eighth century A. D. and is still
in existence. Then there are the ancient civilizations of Egypt and
Lower Mesopotamia, which were first dominated by Ancient Greece and then
amalgamated into the single Middle Eastern civilization of Islam; and
there are the civilizations of India and China. Even if we count as
civilizations the societies existing in Mexico and Peru before the
Spanish Conquest, the total number of known independent civilizations,
compared with the total number of known human societies, is very small.
And it is so because the achievement is astonishingly difficult. There
are two constant factors in social life--the spirit of man and its
environment. Social life is the relation between them, and life only
rises to the height of civilization when the spirit of man is the
dominant partner in the relationship--when instead of being moulded by
the environment (as it is in the tropical forests of Central Africa and
Brazil), or simply holding its own against the environment in a kind of
equilibrium (as it does on the steppes of Central Asia or Arabia, among
the nomads), it moulds the environment to its own purpose, or
'expresses' itself by 'impressing' itself upon the world. The study of a
civilization is not different in kind from the study of a literature. In
both cases one is studying a creation of the spirit of man, or, in more
familiar terms, a work of art.
Civilization is a work of art--in the literal meaning of the phrase and
not merely by a metaphor. It is true that works of art are made by
individuals, civilization by a society. But what work of art is there in
which the individual artist owes nothing to others? And a civilization,
the work of countless individuals and many generations, differs in this
respect from a poem or a statue not in kind but only in degree. It is a
social work of art, expressed in social action, like a ritual or a
play. One cannot describe it better than by calling it a tragedy with a
plot, and history is the plot of the tragedy of civilization.
Public-domain text, read in full here on John Shaqi.
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