The Legacy of Greece: Essays By: Gilbert Murray, W. R. Inge, J. Burnet, Sir T. L. Heath, D'arcy W. Thompson, Charles Singer, R. W. Livingston, A. Toynbee, A. E. Zimmern, Percy Gardner, Sir Reginald Blomfield
Philosophy
The Legacy of Greece: Essays By: Gilbert Murray, W. R. Inge, J. Burnet, Sir T. L. Heath, D'arcy W. Thompson, Charles Singer, R. W. Livingston, A. Toynbee, A. E. Zimmern, Percy Gardner, Sir Reginald Blomfield
Greece -- Civilization
The gnomons for pentagonal numbers are the terms after 1 in the
arithmetical progression 1, 4, 7, 10 ... (with 3, or 5-2, as the common
difference) and so on; the common difference of the successive gnomons
for an _a_-gonal number is _a-2_.
From the series of gnomons for squares we easily deduce a formula for
finding square numbers which are the sum of two squares. For, the gnomon
_2n+1_ being the difference between the successive squares _n²_ and
_(n+1)²_, we have only to make _2n+1_ a square. Suppose that _2n+1=m²_;
therefore _n=½(m²-1)_, and _{½(m²-1)}²+m²={½(m²+1)}²_, where _m_ is any
odd number. This is the formula actually attributed to Pythagoras.
Pythagoras is said to have discovered the theory of proportionals or
proportion. This was a numerical theory and therefore was applicable to
commensurable magnitudes only; it was no doubt somewhat on the lines of
Euclid, Book VII. Connected with the theory of proportion was that of
_means_, and Pythagoras was acquainted with three of these, the
arithmetic, geometric, and sub-contrary (afterwards called harmonic). In
particular Pythagoras is said to have introduced from Babylon into
Greece the 'most perfect' proportion, namely:
_a:(a+b)/2=2ab/(a+b):b_,
where the second and third terms are respectively the arithmetic and
harmonic mean between _a_ and _b_. A particular case is 12:9=8:6.
This bears upon what was probably Pythagoras's greatest discovery,
namely that the musical intervals correspond to certain arithmetical
ratios between lengths of string at the same tension, the octave
corresponding to the ratio 2:1, the fifth to 3:2 and the fourth to 4:3.
These ratios being the same as those of 12 to 6, 8, 9 respectively, we
can understand how the third term, 8, in the above proportion came to
be called the 'harmonic' mean between 12 and 6.
The Pythagorean arithmetic as a whole, with the developments made after
the time of Pythagoras himself, is mainly known to us through
Nicomachus's _Introductio arithmetica_, Iamblichus's commentary on the
same, and Theon of Smyrna's work _Expositio rerum mathematicarum ad
legendum Platonem utilium_. The things in these books most deserving of
notice are the following.
First, there is the description of a 'perfect' number (a number which is
equal to the sum of all its parts, i.e. all its integral divisors
including 1 but excluding the number itself), with a statement of the
property that all such numbers end in 6 or 8. Four such numbers, namely
6, 28, 496, 8128, were known to Nicomachus. The law of formation for
such numbers is first found in Eucl. IX. 36 proving that, if the sum
(S_{n}) of _n_ terms of the series 1, 2, 2², 2³ ... is prime, then
S_{n}.2^{n-1} is a perfect number.
Public-domain text, read in full here on John Shaqi.
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