These beginnings, or these ends of sentences were the only gleams of
light that the animated conversation, carried on in the lowest tones
with lip to ear and ear to lip, conveyed to the motionless witness,
whose attention was fixed on Madame Cardinal.
Madame Cardinal was one of Cerizet’s earliest clients; she peddled fish.
If Parisians know these creations peculiar to their soil, foreigners
have no suspicion of their existence; and Mere Cardinal--technologically
speaking, of course, deserved all the interest she excited in Theodose.
So many women of her species may be met with in the streets that the
passers-by give them no more attention than they give to the three
thousand pictures of the Salon. But as she stood in Cerizet’s office
the Cardinal had all the value of an isolated masterpiece; she was a
complete and perfect type of her species.
The woman was mounted on muddy sabots; but her feet, carefully wrapped
in gaiters, were still further protected by stout and thick-ribbed
stockings. Her cotton gown, adorned with a glounce of mud, bore the
imprint of the strap which supported the fish-basket. Her principal
garment was a shawl of what was called “rabbit’s-hair cashmere,” the two
ends of which were knotted behind, above her bustle--for we must
needs employ a fashionable word to express the effect produced by the
transversal pressure of the basket upon her petticoats, which projected
below it, in shape like a cabbage. A printed cotton neckerchief, of the
coarsest description, gave to view a red neck, ribbed and lined like the
surface of a pond where people have skated. Her head was covered in a
yellow silk foulard, twined in a manner that was rather picturesque.
Short and stout, and ruddy of skin, Mere Cardinal probably drank her
little drop of brandy in the morning. She had once been handsome. The
Halle had formerly reproached her, in the boldness of its figurative
speech, for doing “a double day’s-work in the twenty-four.” Her voice,
in order to reduce itself to the diapason of ordinary conversation, was
obliged to stifle its sound as other voices do in a sick-room; but at
such times it came thick and muffled, from a throat accustomed to send
to the farthest recesses of the highest garret the names of the fish in
their season. Her nose, a la Roxelane, her well-cut lips, her blue eyes,
and all that formerly made up her beauty, was now buried in folds of
vigorous flesh which told of the habits and occupations of an outdoor
life. The stomach and bosom were distinguished for an amplitude worthy
of Rubens.
“Do you want to make me lie in the straw?” she said to Cerizet. “What
do I care for the Toupilliers? Ain’t I a Toupillier myself? What do you
want to do with them, those Toupilliers?”
This savage outburst was hastily repressed by Cerizet, who uttered a
prolonged “Hush-sh!” such as all conspirators obey.
Public-domain text, read in full here on John Shaqi.
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