“By a will in his own handwriting, which I have here, that old pauper
constitutes her his sole legatee. You see, therefore, that I showed
some kindness in not proceeding against you and Madame Cardinal for
your little attempt last night; it was simply our property that you were
trying to pillage.”
“Heavens!” cried Cerizet, “I won’t pretend to excuse Madame Cardinal’s
misconduct; and yet, as one of the legal heirs, dispossessed by a
stranger, she had, it seems to me, some right to the indulgence which
you certainly showed to her.”
“In that you are mistaken,” said du Portail; “the apparent liberality
of the old beggar to Mademoiselle de la Peyrade happens to be only a
restitution.”
“A restitution!” exclaimed Cerizet, in a tone of curiosity.
“A restitution,” repeated du Portail, “and nothing is easier than to
prove it. Do you remember the robbery of some diamonds from one of our
dramatic celebrities about ten years ago?”
“Yes,” replied Cerizet. “I was manager of one of my newspapers at the
time, and I used to write the ‘Paris items.’ But stay, I remember, the
actress who lost them was Mademoiselle Beaumesnil.”
“Precisely; the mother of Mademoiselle de la Peyrade.”
“Consequently, this miserable old Toupillier--no, I remember that the
thief was convicted; his name was Charles Crochard. It was said, under
the rose, that he was the natural son of a great personage, the Comte
de Granville, attorney-general under the Restoration.” [See “A Double
Life.”]
“Well,” said du Portail, “this is how it happened. The robbery was
committed in a house in the rue de Tournon, occupied by Mademoiselle
Beaumesnil. Charles Crochard, who was a handsome fellow, was said to
have the run of it--”
“Yes, yes,” cried Cerizet, “I remember Mademoiselle Beaumesnil’s
embarrassment when she gave her testimony--and also the total extinction
of voice that attacked her when the judge asked her age.”
Public-domain text, read in full here on John Shaqi.
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