“And she cannot love you, because,” continued Madame de Godollo, with animation, “she cannot comprehend you. Her proper husband is that blond little man, insipid as herself; from the union of those two natures without life or heat will result in that lukewarm existence which, in the opinion of the world where she was born and where she has lived, is the ne plus ultra of conjugal felicity. Try to make that little simpleton understand that when she had a chance to unite herself with true talent she ought to have felt highly honored! But, above all, try to make her miserable, odious family and surroundings understand it! Enriched bourgeois, parvenus! there’s the roof beneath which you think to rest from your cruel labor and your many trials! And do you believe that you will not be made to feel, twenty times a day, that your share in the partnership is distressingly light in the scale against their money? On one side, the Iliad, the Cid, Der Freyschutz, and the frescos of the Vatican; on the other, three hundred thousand francs in good, ringing coin! Tell me which side they will trust and admire! The artist, the man of imagination who falls into the bourgeois atmosphere--shall I tell you to what I compare him? To Daniel cast into the lion’s den, less the miracle of Holy Writ.” This invective against the bourgeoisie was uttered in a tone of heated conviction which could scarcely fail to be communicated. “Ah! madame,” cried la Peyrade, “how eloquently you say things which again and again have entered my troubled and anxious mind! But I have felt myself lashed to that most cruel fate, the necessity of gaining a position--”